In this Issue

Table of Contents

A Note from the Guest Editor

Wayne Heisler Jr.
pp. 195-198
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Arabella, Operetta, and the Triumph of Gemütlichkeit

Micaela Baranello
pp. 199-222
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Salome’s Silent Spaces: Canonicity, Creativity, and Critique

Hedda Høgåsen-Hallesby
pp. 223-241
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And the mystery of love is greater than the mystery of Ginger Rogers . . .

Scott D. Paulin
pp. 242-272
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Auditions

Elisabeth Schumann and Richard Specht: Strauss before Sixty

Wayne Heisler Jr., Laura Tunbridge
pp. 273-288
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Notes from the Stage

Comic Book Opera: P. Craig Russell’s Salome in a Production by Table Top Opera

Joy H. Calico, Th. Emil Homerin, Matthew Brown
pp. 289-307
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Review

After Wagner: Gilliam and Daub

Heather Hadlock
pp. 308-315
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