In this Issue

Table of Contents

Articles

The Rage of Caliban: Disabling Bodies in Modernist Aesthetics

Michael Davidson
pp. 609-625
DOI: https://doi.org/10.1353/mod.2015.0075
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Squashing the Bookworm: Manly Attention and Male Reading in Silent Film

Katherine Fusco
pp. 627-650
DOI: https://doi.org/10.1353/mod.2015.0057
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Bloom’s Job: The Role of the Advertisement Canvasser in Joyce’s Dublin

Matthew Hayward
pp. 651-666
DOI: https://doi.org/10.1353/mod.2015.0061
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Jazzing Up Modernism: Jazz, Popular Culture, and Dada in Henry Parland and Gunnar Björling

Harri Veivo
pp. 667-689
DOI: https://doi.org/10.1353/mod.2015.0064
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“Artificial Guts”: Labor and the Body in David Jones’s In Parenthesis

Austin Riede
pp. 691-711
DOI: https://doi.org/10.1353/mod.2015.0067
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Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys

Patricia Moran
pp. 713-734
DOI: https://doi.org/10.1353/mod.2015.0070
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Writing “Other Spaces”: Katherine Anne Porter’s Yaddo

Kathryn S. Roberts
pp. 735-757
DOI: https://doi.org/10.1353/mod.2015.0073
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Marianne Moore’s “Blue Bug”: A Dialogic Ode on Celebrity, Race, Gender, and Age

Elizabeth Gregory
pp. 759-786
DOI: https://doi.org/10.1353/mod.2015.0077
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Against Critique: Fluxus and the Hacker Aesthetic

Roger Rothman
pp. 787-810
DOI: https://doi.org/10.1353/mod.2015.0059
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Review Essays

European Avant-Garde Coteries and the Modernist Magazine

Jason Harding
pp. 811-820
DOI: https://doi.org/10.1353/mod.2015.0063
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Immodernist Midcenturies

Claire Seiler
pp. 821-825
DOI: https://doi.org/10.1353/mod.2015.0066
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Book Reviews

Faulkner and Film ed. by Peter Lurie, Ann J. Abadie (review)

Stuart Burrows
pp. 827-828
DOI: https://doi.org/10.1353/mod.2015.0069
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Tense Future: Modernism, Total War, Encyclopedic Form by Paul K. Saint-Amour (review)

Jackson Ayres
pp. 829-831
DOI: https://doi.org/10.1353/mod.2015.0072
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False Starts: The Rhetoric of Failure and the Making of American Modernism by David M. Ball (review)

Anne Cunningham
pp. 831-832
DOI: https://doi.org/10.1353/mod.2015.0076
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The Freak-Garde: Extraordinary Bodies and Revolutionary Art in America by Robin Blyn (review)

Zena Meadowsong
pp. 833-835
DOI: https://doi.org/10.1353/mod.2015.0058
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Radical History and the Politics of Art by Gabriel Rockhill (review)

Sophie Seita
pp. 835-837
DOI: https://doi.org/10.1353/mod.2015.0062
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Lesbian Modernism: Censorship, Sexuality and Genre Fiction by Elizabeth English (review)

Christina Stevenson
pp. 837-839
DOI: https://doi.org/10.1353/mod.2015.0065
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Broadcasting in the Modernist Era ed. by Matthew Feldman, Erik Tonning, Henry Mead (review)

Andre Furlani
pp. 839-842
DOI: https://doi.org/10.1353/mod.2015.0068
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Renascent Joyce ed. by Daniel Ferrer, Sam Slote, and André Topia (review)

John McCourt
pp. 842-843
DOI: https://doi.org/10.1353/mod.2015.0071
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Miss Anne in Harlem: The White Women of the Black Renaissance by Carla Kaplan (review)

Anne Donlon
pp. 844-845
DOI: https://doi.org/10.1353/mod.2015.0074
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“Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities by Chris Messenger (review)

Hongbin Dai
pp. 846-848
DOI: https://doi.org/10.1353/mod.2015.0056
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Recent Books of Interest

pp. 849-851
DOI: https://doi.org/10.1353/mod.2015.0060
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