1. Ethics, Aesthetics, and the Role of Political Intent in Choreographic Performance
  2. Mark Franko
  3. pp. 1-2
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  1. How to Dance After Auschwitz?: Ethics and Aesthetics of Representation in John Cranko’s Song of My People—Forest People—Sea
  2. Liora Bing-Heidecker
  3. pp. 3-26
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  1. Nudes, Swords, and the Germanic Imagination: Renditions of Germanic Sword Dance Narratives in Early Twentieth-Century Dance
  2. Hanna Walsdorf
  3. pp. 27-50
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  1. American Modernism: Reimagining Martha Graham’s Lost Imperial Gesture (1935)
  2. Kim Jones
  3. pp. 51-70
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  1. Ought I Make Political Dance?
  2. Eric C. Mullis
  3. pp. 71-83
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  1. Dancing in Place: Exhaustion, Embodiment, and Perec
  2. Leslie Satin
  3. pp. 84-104
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  1. Dance, Politics & Co-Immunity
  2. Jens Richard Giersdorf
  3. pp. 105-110
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  1. Dancers as Diplomats: American Choreography in Cultural Exchange by Clare Croft (review)
  2. Rebecca Rossen
  3. pp. 111-114
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  1. Watching Weimar Dance by Kate Elswit (review)
  2. Susan Funkenstein
  3. pp. 114-117
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  1. Choreographic Dwellings: Practicing Place ed. by Gretchen Schiller and Sarah Rubidge (review)
  2. Alessandra Nicifero
  3. pp. 117-122
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  1. The Choreographic by Jenn Joy (review)
  2. Frédéric Pouillaude
  3. pp. 122-124
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  1. Don’t Act, Just Dance: The Metapolitics of Cold War Culture by Catherine Gunther Kodat (review)
  2. Rebekah J. Kowal
  3. pp. 124-129
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  1. Books Received
  2. pp. 130-131
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