1. The Parrhesiastic Urszene of the Modern Novel in Wieland’s Geschichte des Agathon: Subject as Method
  2. Malte Wessels
  3. pp. 558-571
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  1. Reevaluating Eichendorff’s Romanticism: Aus dem Leben eines Taugenichts as Metafictional Parody
  2. Brian Haman
  3. pp. 572-589
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  1. ,,Die Katastrophe ist ein schwarzes Blatt“: Katastrophenmanagement und Umweltethik in Georg Kaisers Schauspiel Gas (1918)
  2. Sabine Wilke
  3. pp. 590-603
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  1. “Damals gingen die Schnulzen eben gut:” Luis Trenker and the Heimatfilm
  2. Kamaal Haque
  3. pp. 604-621
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  1. Personalia 2015
  2. Justin Court
  3. pp. 622-668
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  1. Wirklichkeit und Wahrnehmung. Neue Perspektiven auf Theodor Storm by Herausgegeben von Elisabeth Strowick und Ulrike Vedder (review)
  2. Robert L. Jamison
  3. pp. 671-673
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  1. Women, Emancipation and the German Novel 1871–1910: Protest Fiction in its Cultural Context by Charlotte Woodford (review)
  2. Jeffrey L. Sammons
  3. pp. 673-676
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  1. Popular Fiction in the Age of Bismarck: E. Marlitt and her Narrative Strategies by Terrill John May (review)
  2. Kirsten Belgum
  3. pp. 676-678
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  1. Good Girls, Good Germans: Girls’ Education and Emotional Nationalism in Wilhelminian Germany by Jennifer Drake Askey (review)
  2. Daniela Richter
  3. pp. 678-680
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  1. The German Bestseller in the Late Nineteenth Century ed. by Charlotte Woodford and Benedict Schofield (review)
  2. Shane D. Peterson
  3. pp. 680-682
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  1. Stefan George. Eine Biographie by Von Kai Kauffmann (review)
  2. Rolf J. Goebel
  3. pp. 690-692
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  1. Afterlives: Allegories of Film and Mortality in Early Weimar Germany by Steve Choe (review)
  2. Daniel H. Magilow
  3. pp. 692-694
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  1. Weimar Colonialism: Discourses and Legacies of Post-Imperialism in Germany after 1918 ed. by Florian Krobb and Elaine Martin (review)
  2. Jill Suzanne Smith
  3. pp. 694-696
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  1. Heinrich Lersch (1889–1936). Eine literaturpolitische Biographie by Von Steffen Elbing (review)
  2. Jost Hermand
  3. pp. 697-698
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  1. Ernst Toller and German Society: Intellectuals as Leaders and Critics, 1914–1939 by Robert Ellis (review)
  2. Michael McGillen
  3. pp. 698-700
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  1. Through Amateur Eyes: Film and Photography in Nazi Germany by Frances Guerin (review)
  2. Darcy Buerkle
  3. pp. 700-703
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  1. Born under Auschwitz: Melancholy Traditions in Postwar German Literature by Mary Cosgrove (review)
  2. Sonja Boos
  3. pp. 703-704
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  1. German Text Crimes: Writers Accused, from the 1950s to the 2000s ed. by Tom Cheesman (review)
  2. Siegfried Mews
  3. pp. 704-706
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  1. Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and Masculinity by Maria Fritsche (review)
  2. Erik N. Jensen
  3. pp. 709-710
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  1. New Austrian Film ed. by Robert von Dassanowsky and Oliver C. Speck (review)
  2. Jack Davis
  3. pp. 710-712
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  1. Romanisches Erzählen. Peter Handke und die epische Tradition by Von Thorsten Carstensen (review)
  2. Katharina Pektor
  3. pp. 712-714
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  1. Klang – Bild – Sprache. Musikalisch-akustische Konfigurationen in der Literatur und im Film der Gegenwart by Von Ulrich Schönherr (review)
  2. Marcel Krings
  3. pp. 714-717
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  1. Berlin School Glossary: An ABC of the New Wave in German Cinema ed. by Roger F. Cook et al. (review)
  2. David Clarke
  3. pp. 717-719
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  1. Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema by Daniela Berghahn (review)
  2. Randall Halle
  3. pp. 719-721
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  1. Index Volume 107 (2015)
  2. pp. 722-727
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