restricted access   Volume 107, Number 4, Winter 2015

Table of Contents

Articles

Narrating (Im)Maturity: The Progressive Popularization of Enlightenment Principles in Wieland’s Geschichte des Agathon and Engel’s Herr Lorenz Stark

pp. 533-557

The Parrhesiastic Urszene of the Modern Novel in Wieland’s Geschichte des Agathon: Subject as Method

pp. 558-571

Reevaluating Eichendorff’s Romanticism: Aus dem Leben eines Taugenichts as Metafictional Parody

pp. 572-589

,,Die Katastrophe ist ein schwarzes Blatt“: Katastrophenmanagement und Umweltethik in Georg Kaisers Schauspiel Gas (1918)

pp. 590-603

“Damals gingen die Schnulzen eben gut:” Luis Trenker and the Heimatfilm

pp. 604-621

Personalia

Personalia 2015

pp. 622-668

Book Reviews

Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century ed. by Sean Ireton and Caroline Schaumann (review)

pp. 669-671

Wirklichkeit und Wahrnehmung. Neue Perspektiven auf Theodor Storm by Herausgegeben von Elisabeth Strowick und Ulrike Vedder (review)

pp. 671-673

Women, Emancipation and the German Novel 1871–1910: Protest Fiction in its Cultural Context by Charlotte Woodford (review)

pp. 673-676

Popular Fiction in the Age of Bismarck: E. Marlitt and her Narrative Strategies by Terrill John May (review)

pp. 676-678

Good Girls, Good Germans: Girls’ Education and Emotional Nationalism in Wilhelminian Germany by Jennifer Drake Askey (review)

pp. 678-680

The German Bestseller in the Late Nineteenth Century ed. by Charlotte Woodford and Benedict Schofield (review)

pp. 680-682

Die Sprache der Großstadt. Zeitkritik und ästhetische Moderne in den frühnaturalistischen Berlinromanen Max Kretzers by Von Patrick Küppers (review)

pp. 682-684

Der produktive Kosmos der Gina Kaus. Schriftstellerin – Pädagogin – Revolutionärin by Von Veronika Hofeneder, and: Berlin Coquette: Prostitution and the New German Woman, 1890–1933 by Jill Suzanne Smith (review)

pp. 684-690

Stefan George. Eine Biographie by Von Kai Kauffmann (review)

pp. 690-692

Afterlives: Allegories of Film and Mortality in Early Weimar Germany by Steve Choe (review)

pp. 692-694

Weimar Colonialism: Discourses and Legacies of Post-Imperialism in Germany after 1918 ed. by Florian Krobb and Elaine Martin (review)

pp. 694-696

Heinrich Lersch (1889–1936). Eine literaturpolitische Biographie by Von Steffen Elbing (review)

pp. 697-698

Ernst Toller and German Society: Intellectuals as Leaders and Critics, 1914–1939 by Robert Ellis (review)

pp. 698-700

Through Amateur Eyes: Film and Photography in Nazi Germany by Frances Guerin (review)

pp. 700-703

Born under Auschwitz: Melancholy Traditions in Postwar German Literature by Mary Cosgrove (review)

pp. 703-704

German Text Crimes: Writers Accused, from the 1950s to the 2000s ed. by Tom Cheesman (review)

pp. 704-706

Morte a Venezia. Thomas Mann / Luchino Visconti: un confronto ed. by Francesco Bono, Luigi Cimmino, and Giorgio Pangaro, and: Franz Kafka / Orson Welles: Il Processo ed. by Luigi Cimmino, Daniele Dottorini, and Giorgio Pangaro (review)

pp. 706-709

Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and Masculinity by Maria Fritsche (review)

pp. 709-710

New Austrian Film ed. by Robert von Dassanowsky and Oliver C. Speck (review)

pp. 710-712

Romanisches Erzählen. Peter Handke und die epische Tradition by Von Thorsten Carstensen (review)

pp. 712-714

Klang – Bild – Sprache. Musikalisch-akustische Konfigurationen in der Literatur und im Film der Gegenwart by Von Ulrich Schönherr (review)

pp. 714-717

Berlin School Glossary: An ABC of the New Wave in German Cinema ed. by Roger F. Cook et al. (review)

pp. 717-719

Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema by Daniela Berghahn (review)

pp. 719-721

Index Volume 107 (2015)

pp. 722-727