In this Issue

Table of Contents

Editor’s Note

Carolyn Kuebler
pp. 6-7
DOI: https://doi.org/10.1353/ner.2015.0117
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The Red Painter, and Mountain, and Real and True

Penelope Cray
pp. 8-11
DOI: https://doi.org/10.1353/ner.2015.0122
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The Devil’s Triangle

Emma Duffy-Comparone
pp. 12-25
DOI: https://doi.org/10.1353/ner.2015.0126
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Winter of Tumult and Artifact

Lauren Camp
p. 26
DOI: https://doi.org/10.1353/ner.2015.0130
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To the Curator of Birds

Philip F. Gura
pp. 27-32
DOI: https://doi.org/10.1353/ner.2015.0134
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Cranes

Tod Marshall
p. 33
DOI: https://doi.org/10.1353/ner.2015.0138
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In the Supply Closet at Illing Middle

Edgar Kunz
p. 34
DOI: https://doi.org/10.1353/ner.2015.0115
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Eleven Girls

David Ebenbach
pp. 35-41
DOI: https://doi.org/10.1353/ner.2015.0120
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A Mix Tape: The Hit Singularities

Brenda Shaughnessy
pp. 42-46
DOI: https://doi.org/10.1353/ner.2015.0124
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Phnom Penh 2012

Emily Geminder
pp. 47-49
DOI: https://doi.org/10.1353/ner.2015.0128
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Are Those F -16’s?

Hai-Dang Phan
pp. 50-51
DOI: https://doi.org/10.1353/ner.2015.0132
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Dad’s House

Vincent Poturica
pp. 52-66
DOI: https://doi.org/10.1353/ner.2015.0136
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Memento Mori

Diane Seuss
pp. 67-69
DOI: https://doi.org/10.1353/ner.2015.0113
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Crossing Harvard Yard

Mateal Lovaas Ishihara
pp. 70-82
DOI: https://doi.org/10.1353/ner.2015.0118
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Hilda Morley: Lost on Black Mountain

Lisa Mullenneaux
pp. 83-94
DOI: https://doi.org/10.1353/ner.2015.0123
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The Bolivian Navy

Rav Grewal-Kök
pp. 95-104
DOI: https://doi.org/10.1353/ner.2015.0127
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Uroboros

Owen McLeod
p. 105
DOI: https://doi.org/10.1353/ner.2015.0131
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The Bagpipes

Giovanni Pascoli, Italian by Taije Silverman, Marina Della Putta Johnston
p. 106
DOI: https://doi.org/10.1353/ner.2015.0135
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Writer, It Must Be Late

Antonio Tabucchi, Italian by Elizabeth Harris
pp. 107-110
DOI: https://doi.org/10.1353/ner.2015.0112
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An Atheist in Rome

Laurence de Looze
pp. 111-145
DOI: https://doi.org/10.1353/ner.2015.0116
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Orison

Sasha Pimentel
p. 146
DOI: https://doi.org/10.1353/ner.2015.0121
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The Unsealed Ear

Kate Lebo
pp. 147-153
DOI: https://doi.org/10.1353/ner.2015.0125
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Catachresis, and Mandolin in White Wood, Signing the Tag

J. Camp Brown
pp. 154-156
DOI: https://doi.org/10.1353/ner.2015.0129
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Dry Hollows

Lisa Lewis
pp. 157-158
DOI: https://doi.org/10.1353/ner.2015.0133
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The Other Side of Silence

Michael Fallon
pp. 159-171
DOI: https://doi.org/10.1353/ner.2015.0137
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Two Italian Portraits

John Addington Symonds
pp. 172-177
DOI: https://doi.org/10.1353/ner.2015.0114
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Contributors’ Notes

pp. 178-182
DOI: https://doi.org/10.1353/ner.2015.0119
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