Project MUSE - Shakespeare Quarterly-Volume 66, Number 3, Fall 2015

From the Editor

Gail Kern Paster

p. 251

DOI: https://doi.org/10.1353/shq.2015.0037

Shakespeare, Playfere, and the Pirates

Bryan Crockett

pp. 252-285

DOI: https://doi.org/10.1353/shq.2015.0041

“Continuall Factions”: Politics, Friendship, and History in Julius Caesar

Philip Goldfarb Styrt

pp. 286-307

DOI: https://doi.org/10.1353/shq.2015.0045

“How easy is a bush supposed a bear?”: Differentiating Imaginative Production in A Midsummer Night’s Dream

Adam Rzepka

pp. 308-328

DOI: https://doi.org/10.1353/shq.2015.0049

Shakespeare and the Urgency of Now: Criticism and Theory in the Twenty-First Century ed. by Cary DiPietro, Hugh Grady (review)

Eric S. Mallin

pp. 329-332

DOI: https://doi.org/10.1353/shq.2015.0053

What’s the Worst Thing You Can Do to Shakespeare? by Richard Burt, Julian Yates (review)

Sharon O’Dair

pp. 333-335

DOI: https://doi.org/10.1353/shq.2015.0032

Shakespeare Up Close: Reading Early Modern Texts ed. by Russ McDonald, Nicholas D. Nace, Travis D. Williams (review)

Jessica Slights

pp. 335-337

DOI: https://doi.org/10.1353/shq.2015.0035

Shakespeare, Rhetoric and Cognition by Raphael Lyne (review)

F. Elizabeth Hart

pp. 338-340

DOI: https://doi.org/10.1353/shq.2015.0039

Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)

Wayne A. Rebhorn

pp. 341-343

DOI: https://doi.org/10.1353/shq.2015.0043

Shakespeare’s Boys: A Cultural History by Katie Knowles (review)

Mario DiGangi

pp. 343-346

DOI: https://doi.org/10.1353/shq.2015.0047

Shakespeare and the Truth of Love: The Mystery of “The Phoenix and Turtle.” by James P. Bednarz (review)

Edward Wilson-Lee

pp. 346-347

DOI: https://doi.org/10.1353/shq.2015.0051

The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England by Daniel D. Moss (review)

Coppélia Kahn

pp. 347-350

DOI: https://doi.org/10.1353/shq.2015.0055

Drama and the Transfer of Power in Renaissance England by Martin Wiggins (review)

R. Malcolm Smuts

pp. 350-352

DOI: https://doi.org/10.1353/shq.2015.0034

The Myth of Rome in Shakespeare and His Contemporaries by Warren Chernaik (review)

Naomi Conn Liebler

pp. 353-355

DOI: https://doi.org/10.1353/shq.2015.0038

Celtic Shakespeare: The Bard and the Borderers ed. by Willy Maley, Rory Loughnane (review)

Ronald J. Boling

pp. 355-358

DOI: https://doi.org/10.1353/shq.2015.0042

French Reflections in the Shakespearean Tragic: Three Case Studies by Richard Hillman (review)

Deanne Williams

pp. 358-359

DOI: https://doi.org/10.1353/shq.2015.0046

Shakespeare in America by Alden T. Vaughan, Virginia Mason Vaughan (review)

Rosemary Kegl

pp. 359-362

DOI: https://doi.org/10.1353/shq.2015.0050

Performing Economic Thought: English Drama and Mercantile Writing, 1600–1642 by Bradley D. Ryner (review)

Amanda Bailey

pp. 362-364

DOI: https://doi.org/10.1353/shq.2015.0054

Sleep, Romance and Human Embodiment: Vitality from Spenser to Milton by Garrett A. Sullivan Jr (review)

Jay Zysk

pp. 364-367

DOI: https://doi.org/10.1353/shq.2015.0033

Reading and the History of Race in the Renaissance by Elizabeth Spiller, and: Renaissance Paratexts ed. by Helen Smith, Louise Wilson (review)

Catherine Molineux

pp. 367-370

DOI: https://doi.org/10.1353/shq.2015.0036

Reading the Unseen: (Offstage) “Hamlet.” by Stephen Ratcliffe, and: Stay, Illusion!: The Hamlet Doctrine by Simon Critchley, Jamieson Webster (review)

Andrew Sofer

pp. 370-374

DOI: https://doi.org/10.1353/shq.2015.0040

Rethinking Historicism from Shakespeare to Milton ed. by Ann Baynes Coiro, Thomas Fulton, and: Shakespeare and the Staging of English History by Janette Dillon, and: Shakespeare’s History Plays: Rethinking Historicism by Neema Parvini (review)

Ian Frederick Moulton

pp. 374-378

DOI: https://doi.org/10.1353/shq.2015.0044

Shakespeare and World Cinema by Mark Thornton Burnett (review)

Laurie E. Osborne

pp. 379-380

DOI: https://doi.org/10.1353/shq.2015.0048

OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation by Daniel Fischlin, and: Shakespeare and YouTube: New Media Forms of the Bard by Stephen O’Neill (review)

Sheila T. Cavanagh

pp. 381-383

DOI: https://doi.org/10.1353/shq.2015.0052

Contributors

pp. 384-388

DOI: https://doi.org/10.1353/shq.2015.0031

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