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Table of Contents

  1. The Europeans on Broadway
  2. Susan M. Griffin
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/arq.2015.0026
  5. restricted access
  1. Ambivalence and Irony: Gendered Forms in Interwar America
  2. Lisa Mendelman
  3. pp. 23-52
  4. DOI: https://doi.org/10.1353/arq.2015.0027
  5. restricted access
  1. Dismantling the American Boy: Nathanael West’s A Cool Million
  2. Maria Almanza
  3. pp. 53-79
  4. DOI: https://doi.org/10.1353/arq.2015.0028
  5. restricted access
  1. Sex, Diaspora, and the New “Italian Novel”: James Baldwin’s Giovanni’s Room and Bernard Malamud’s Pictures of Fidelman
  2. Suzanne Roszak
  3. pp. 81-106
  4. DOI: https://doi.org/10.1353/arq.2015.0029
  5. restricted access
  1. “Some new dimension devoid of hip and bone”: Remediated Bodies and Digital Posthumanism in Gary Shteyngart’s Super Sad True Love Story
  2. Raymond Malewitz
  3. pp. 107-127
  4. DOI: https://doi.org/10.1353/arq.2015.0023
  5. restricted access
  1. The Contributors
  3. p. 130
  4. DOI: https://doi.org/10.1353/arq.2015.0024
  5. restricted access
  1. Contents, Volume 71, 2015
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/arq.2015.0025
  5. restricted access