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In this Issue

Table of Contents

Introduction

  1. Television and the Anti-Realist Theatricality of “not Shakespeare”
  2. John Wyver
  3. pp. 543-568
  4. DOI: https://doi.org/10.1353/shb.2015.0055
  5. restricted access

Articles

  1. The Spaces of Medieval Mystery Plays on British Television
  2. Amanda Wrigley
  3. pp. 569-593
  4. DOI: https://doi.org/10.1353/shb.2015.0058
  5. restricted access
  1. Marlowe and McKellen on screen: The Prospect Theatre Company Production of Edward II 1969–70
  2. James Wallace
  3. pp. 595-608
  4. DOI: https://doi.org/10.1353/shb.2015.0061
  5. restricted access
  1. “Trying television by candlelight”: Shakespeare’s Globe’s The Duchess of Malfi on BBC4
  2. Andy Kesson
  3. pp. 609-621
  4. DOI: https://doi.org/10.1353/shb.2015.0064
  5. restricted access
  1. The Dutch Courtesan Online
  2. Oliver Jones
  3. pp. 623-639
  4. DOI: https://doi.org/10.1353/shb.2015.0067
  5. restricted access

Screen Review

  1. Volpone
  2. Peter Kirwan
  3. pp. 641-645
  4. DOI: https://doi.org/10.1353/shb.2015.0070
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Review Essay

  1. “A Local Habitation and a Name”: The Twin Cities Shakespeare Season 2014–15
  2. Douglas E. Green
  3. pp. 647-661
  4. DOI: https://doi.org/10.1353/shb.2015.0054
  5. restricted access

Performance Reviews

  1. Hamlet: The First Quarto by Taffety Punk Theatre Company (review)
  2. Claire M. L. Bourne, Musa Gurnis
  3. pp. 663-666
  4. DOI: https://doi.org/10.1353/shb.2015.0057
  5. restricted access
  1. Ishaqzaade dir. by Habib Faisal, and: Issaq dir. by Manish Tiwary, and: Goliyon Ki Raasleela: Ram-Leela dir. by Sanjay Leela Bhansali (review)
  2. Paromita Chakravarti
  3. pp. 666-670
  4. DOI: https://doi.org/10.1353/shb.2015.0060
  5. restricted access
  1. Measure for Measure by Shakespeare’s Globe (review)
  2. Michael J. Collins
  3. pp. 670-674
  4. DOI: https://doi.org/10.1353/shb.2015.0063
  5. restricted access
  1. The Tragedy of Richard II by Lord Denney’s Players (review)
  2. Ari Friedlander
  3. pp. 674-677
  4. DOI: https://doi.org/10.1353/shb.2015.0066
  5. restricted access
  1. Hamlet by Wilma Theater, and: Rosencrantz and Guildenstern Are Dead by Wilma Theater (review)
  2. Justin B. Hopkins
  3. pp. 677-683
  4. DOI: https://doi.org/10.1353/shb.2015.0069
  5. restricted access
  1. Macbeth by Damansara Performing Arts Centre (review)
  2. Su Mei Kok
  3. pp. 683-686
  4. DOI: https://doi.org/10.1353/shb.2015.0053
  5. restricted access
  1. Love’s Labour’s Lost by Shakespeare Theatre of New Jersey (review)
  2. Barbara Ann Lukacs
  3. pp. 686-690
  4. DOI: https://doi.org/10.1353/shb.2015.0056
  5. restricted access
  1. Romeo and Juliet by Shakespeare at the Tobacco Factory (review)
  2. Jami Rogers
  3. pp. 690-692
  4. DOI: https://doi.org/10.1353/shb.2015.0059
  5. restricted access

Performance Reviews: Second Looks

  1. Arden of Faversham by Royal Shakespeare Company (review)
  2. Terri Bourus
  3. pp. 693-698
  4. DOI: https://doi.org/10.1353/shb.2015.0062
  5. restricted access

Book Reviews

  1. The Senses in Early Modern England, 1558–1660 ed. by Simon Smith, Jackie Watson, and Amy Kenny (review)
  2. Briony Frost
  3. pp. 699-702
  4. DOI: https://doi.org/10.1353/shb.2015.0065
  5. restricted access
  1. Geoparsing Early Modern English Drama by Monica Matei-Chesnoiu, and: Shakespeare’s Staged Spaces and Playgoers’ Perceptions by Darlene Farabee, and: Performance Reconstruction and Spanish Golden Age Drama by Laura L. Vidler (review)
  2. Kathryn Prince
  3. pp. 703-705
  4. DOI: https://doi.org/10.1353/shb.2015.0068
  5. restricted access