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Table of Contents

  1. The Monstrous Crossroads of Kristeva’s Textual Practice
  2. Dawid Kołoszyc
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/sli.2014.0001
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  1. Paradise Lost: Reconciling the Semiotic and Symbolic in Toni Morrison’s Love
  2. Stephanie Li
  3. pp. 27-47
  4. DOI: https://doi.org/10.1353/sli.2014.0004
  5. restricted access
  1. Writing History Intimately: The House of Jacob, the Quest for Home, and the Other Language
  2. Maria Margaroni
  3. pp. 49-71
  4. DOI: https://doi.org/10.1353/sli.2014.0008
  5. restricted access
  1. Abjected Landscapes: Crossing Psychogenic Borders in Angela Carter’s The Passion of New Eve
  2. Lizzy Welby
  3. pp. 73-87
  4. DOI: https://doi.org/10.1353/sli.2014.0011
  5. restricted access
  1. Moonlit Mirrors, Bloody Chambers, and Tender Wolves: Identity and Sexuality in Angela Carter’s “Wolf-Alice”
  2. Kristine Jennings
  3. pp. 89-110
  4. DOI: https://doi.org/10.1353/sli.2014.0014
  5. restricted access
  1. Reading Kristeva with Kristeva
  2. Heather H. Yeung
  3. pp. 111-127
  4. DOI: https://doi.org/10.1353/sli.2014.0017
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  1. Kristeva, Intertextuality, and Re-imagining “The Mad Woman in the Attic”
  2. Kristy Butler
  3. pp. 129-147
  4. DOI: https://doi.org/10.1353/sli.2014.0000
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  1. Kristeva before Kristeva: Gender and Creativity in Russian Symbolism
  2. Kirsti Ekonen
  3. pp. 149-166
  4. DOI: https://doi.org/10.1353/sli.2014.0003
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  1. Introduction
  2. Rossitsa Terzieva-Artemis
  3. pp. v-xii
  4. DOI: https://doi.org/10.1353/sli.2014.0018
  5. restricted access
  1. Contributors
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/sli.2014.0006
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