1. “Taste in Noises”: Registering, Evaluating, and Creating Sound and Story in Jane Austen’s Persuasion
  2. Kate Nesbit
  3. pp. 451-468
  4. DOI: 10.1353/sdn.2015.0051
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  1. Robust Body and Social Souls: Reassessing Ronald Firbank’s Effeminate Queer Men
  2. David Deutsch
  3. pp. 469-490
  4. DOI: 10.1353/sdn.2015.0054
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  1. “Discordant Syllabling”: The language of the Living World in Virginia Woolf’s Between the Acts
  2. Rasheed Tazudeen
  3. pp. 491-513
  4. DOI: 10.1353/sdn.2015.0057
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  1. Constructing a Post-Victorian Empire: Rupert Gray, a Tale in Black and White
  2. Sarah Ficke
  3. pp. 514-531
  4. DOI: 10.1353/sdn.2015.0060
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  1. Embodied Reading and Narrative Empathy in Cormac McCarthy’s The Road
  2. Christopher T. White
  3. pp. 532-549
  4. DOI: 10.1353/sdn.2015.0046
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  1. From Disposability to Recycling: William Faulkner and the New Politics of Rewriting in Jesmyn Ward’s Salvage the Bones
  2. Sinéad Moynihan
  3. pp. 550-567
  4. DOI: 10.1353/sdn.2015.0048
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  1. Joseph Conrad and H. G. Wells: The Fin-de-Siècle Literary Scene by Linda Dryden (review)
  2. Jeremy Withers
  3. pp. 570-571
  4. DOI: 10.1353/sdn.2015.0053
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  1. James Joyce and the Exilic Imagination by Michael Patrick Gillespie (review)
  2. Jeff Birkenstein
  3. pp. 575-576
  4. DOI: 10.1353/sdn.2015.0045
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  1. The Autobiography of an Ex-Colored Man: Norton Critical Edition ed. by Jacqueline Goldsby (review)
  2. Aubrey Porterfield
  3. pp. 577-578
  4. DOI: 10.1353/sdn.2015.0047
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  1. A Life with Mary Shelley by Barbara Johnson (review)
  2. Lucy Morrison
  3. pp. 578-580
  4. DOI: 10.1353/sdn.2015.0049
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  1. Eighteenth-Century Fiction & the Reinvention of Wonder by Sarah Tindal Kareem (review)
  2. Anne M. Thell
  3. pp. 580-581
  4. DOI: 10.1353/sdn.2015.0052
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  1. Ellipsis in English Literature: Signs of Omission by Anne Toner (review)
  2. Melvyn New
  3. pp. 583-584
  4. DOI: 10.1353/sdn.2015.0058
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  1. Contributors
  2. p. 585
  3. DOI: 10.1353/sdn.2015.0061
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