In this Issue

Table of Contents

Medical and Scatological Encounters in Lope de Rueda’s Pasos

Lourdes Albuixech
pp. 1-14
DOI: https://doi.org/10.1353/boc.2015.0019
restricted access

“Burlas en tiempo de tantas veras”: Violence and Humor in Lope de Vega’s Los melindres de Belisa

Gabriela Carrión
pp. 15-31
DOI: https://doi.org/10.1353/boc.2015.0021
restricted access

They Said, She Said: Making the Case for Rape in Fuenteovejuna

Stacey L. Parker Aronson
pp. 33-47
DOI: https://doi.org/10.1353/boc.2015.0023
restricted access

The Performance of Divine Providence on the Early Modern Stage: Tumbling Canvases and History Plays

Christopher C. Oechler
pp. 49-65
DOI: https://doi.org/10.1353/boc.2015.0025
restricted access

“La justicia más rara / del mundo”: Violated Daughter, Inviolable Law in Calderón’s El alcalde de Zalamea

Bryan Betancur
pp. 67-89
DOI: https://doi.org/10.1353/boc.2015.0015
restricted access

La función teatral de la música en la tragedia calderoniana La cisma de Ingalaterra

Susana Hernández Araico
pp. 91-100
DOI: https://doi.org/10.1353/boc.2015.0016
restricted access

Evidence Regarding the "Monte" Stage Piece in "Corral" Theatres of the Seventeenth Century

Brent W. Devos
pp. 101-112
DOI: https://doi.org/10.1353/boc.2015.0018
restricted access

Methods of Persuasion for Religious Donations in Comedia de Nuestra Señora de Guadalupe y sus milagros

Nathan Gordon
pp. 113-129
DOI: https://doi.org/10.1353/boc.2015.0020
restricted access

“Sois de diablos”: Portraying Indigenous Female Characters on the Golden Age Stage

Erin Alice Cowling
pp. 131-156
DOI: https://doi.org/10.1353/boc.2015.0022
restricted access

La fatalidad del poder: La Muerte como el Papa y el Inquisidor en Las Cortes de la Muerte de Micael de Carvajal y Lope de Vega

Elena Deanda-Camacho
pp. 157-176
DOI: https://doi.org/10.1353/boc.2015.0024
restricted access

Editor’s Note

Edward H. Friedman
p. ix
DOI: https://doi.org/10.1353/boc.2015.0017
restricted access