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Table of Contents

  1. Medical and Scatological Encounters in Lope de Rueda’s Pasos
  2. Lourdes Albuixech
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/boc.2015.0019
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  1. “Burlas en tiempo de tantas veras”: Violence and Humor in Lope de Vega’s Los melindres de Belisa
  2. Gabriela Carrión
  3. pp. 15-31
  4. DOI: https://doi.org/10.1353/boc.2015.0021
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  1. They Said, She Said: Making the Case for Rape in Fuenteovejuna
  2. Stacey L. Parker Aronson
  3. pp. 33-47
  4. DOI: https://doi.org/10.1353/boc.2015.0023
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  1. The Performance of Divine Providence on the Early Modern Stage: Tumbling Canvases and History Plays
  2. Christopher C. Oechler
  3. pp. 49-65
  4. DOI: https://doi.org/10.1353/boc.2015.0025
  5. restricted access
  1. “La justicia más rara / del mundo”: Violated Daughter, Inviolable Law in Calderón’s El alcalde de Zalamea
  2. Bryan Betancur
  3. pp. 67-89
  4. DOI: https://doi.org/10.1353/boc.2015.0015
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  1. La función teatral de la música en la tragedia calderoniana La cisma de Ingalaterra
  2. Susana Hernández Araico
  3. pp. 91-100
  4. DOI: https://doi.org/10.1353/boc.2015.0016
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  1. Evidence Regarding the "Monte" Stage Piece in "Corral" Theatres of the Seventeenth Century
  2. Brent W. Devos
  3. pp. 101-112
  4. DOI: https://doi.org/10.1353/boc.2015.0018
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  1. Methods of Persuasion for Religious Donations in Comedia de Nuestra Señora de Guadalupe y sus milagros
  2. Nathan Gordon
  3. pp. 113-129
  4. DOI: https://doi.org/10.1353/boc.2015.0020
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  1. “Sois de diablos”: Portraying Indigenous Female Characters on the Golden Age Stage
  2. Erin Alice Cowling
  3. pp. 131-156
  4. DOI: https://doi.org/10.1353/boc.2015.0022
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  1. La fatalidad del poder: La Muerte como el Papa y el Inquisidor en Las Cortes de la Muerte de Micael de Carvajal y Lope de Vega
  2. Elena Deanda-Camacho
  3. pp. 157-176
  4. DOI: https://doi.org/10.1353/boc.2015.0024
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  1. Editor’s Note
  2. Edward H. Friedman
  3. p. ix
  4. DOI: https://doi.org/10.1353/boc.2015.0017
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