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In this Issue

Table of Contents

  1. For Jim Foley, October 18, 1973 – August 19, 2014
  2. Benjamin Balthaser
  3. p. 539
  4. DOI: https://doi.org/10.1353/mar.2015.0107
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  1. The Ghetto Bird (III)
  2. Esteban Ismael
  3. pp. 540-541
  4. DOI: https://doi.org/10.1353/mar.2015.0112
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  1. Blue Handed: (Breaking the Silence Testimony 41, Hebron)
  2. Ah@d Ha’@m
  3. pp. 542-548
  4. DOI: https://doi.org/10.1353/mar.2015.0116
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  1. Burnt Orange
  2. Robin Wyatt Dunn
  3. pp. 549-550
  4. DOI: https://doi.org/10.1353/mar.2015.0092
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  1. Dead Horse Point
  2. Mylène Dressler
  3. pp. 551-567
  4. DOI: https://doi.org/10.1353/mar.2015.0096
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  1. This stone
  2. Emmanuel Merle, Jennifer Barber
  3. p. 568
  4. DOI: https://doi.org/10.1353/mar.2015.0100
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  1. Selections from Chuck Close Photographs: September 11 – December 6, 2015 University Museum of Contemporary Art University of Massachusetts Amherst
  3. pp. 569-576
  4. DOI: https://doi.org/10.1353/mar.2015.0105
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  1. From Autisms
  2. Giacomo Sartori, Frederika Randall
  3. pp. 577-587
  4. DOI: https://doi.org/10.1353/mar.2015.0110
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  1. Second Thoughts on a Winter Afternoon
  2. Chen Chen
  3. p. 588
  4. DOI: https://doi.org/10.1353/mar.2015.0114
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  1. Patience
  2. Patricia Horvath
  3. pp. 589-593
  4. DOI: https://doi.org/10.1353/mar.2015.0090
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  1. “I have only you in this world”: Gabriela Mistral’s Letters to Doris Dana
  2. Gabriela Mistral, Velma García-Gorena
  3. pp. 594-617
  4. DOI: https://doi.org/10.1353/mar.2015.0094
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  1. Butter Up, Morning Glory: Middletown, CA, Harbin Hot Springs
  2. Tiffany Higgins
  3. pp. 618-620
  4. DOI: https://doi.org/10.1353/mar.2015.0098
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  1. Dumbass
  2. B. P. Greenbaum
  3. pp. 621-624
  4. DOI: https://doi.org/10.1353/mar.2015.0103
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  1. When We Were Boys
  2. Eric Severn
  3. pp. 625-629
  4. DOI: https://doi.org/10.1353/mar.2015.0108
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  1. A Dark Day of Justice
  2. Rodolfo Walsh, Cindy Schuster
  3. pp. 630-647
  4. DOI: https://doi.org/10.1353/mar.2015.0113
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  1. Raw Unfiltered Honey
  2. Anne Love Woodhull
  3. p. 648
  4. DOI: https://doi.org/10.1353/mar.2015.0089
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  1. Selections from Women’s Work: Feminist Art from the Smith College Museum of Art Collection September 11, 2015–January 3, 2016
  3. pp. 649-656
  4. DOI: https://doi.org/10.1353/mar.2015.0093
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  1. Dancing Among Schoolchildren
  2. Catherine Gunther Kodat
  3. pp. 657-660
  4. DOI: https://doi.org/10.1353/mar.2015.0097
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  1. Midnight Mass
  2. Katie Hartsock
  3. p. 661
  4. DOI: https://doi.org/10.1353/mar.2015.0101
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  1. But to Return Again to My Going Home
  2. Kay Cosgrove
  3. p. 662
  4. DOI: https://doi.org/10.1353/mar.2015.0106
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  1. The Little Hunchback
  2. Roberto Arlt, Sergio Waisman
  3. pp. 663-677
  4. DOI: https://doi.org/10.1353/mar.2015.0111
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  1. Molting
  2. Marianne Colahan
  3. pp. 678-693
  4. DOI: https://doi.org/10.1353/mar.2015.0115
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  1. (…)
  2. Anzhelina Polonskaya, Andrew Wachtel
  3. p. 694
  4. DOI: https://doi.org/10.1353/mar.2015.0091
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  1. The Private Life
  2. Robert Hamburger
  3. pp. 695-707
  4. DOI: https://doi.org/10.1353/mar.2015.0095
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  1. Language the Fire in the Bog
  2. Martha Silano
  3. pp. 708-709
  4. DOI: https://doi.org/10.1353/mar.2015.0099
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  1. Author Index, Volume LVI
  3. pp. 713-716
  4. DOI: https://doi.org/10.1353/mar.2015.0109
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  1. Introduction
  2. Jim Hicks
  3. pp. 536-537
  4. DOI: https://doi.org/10.1353/mar.2015.0102
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  1. Notes on Contributors
  3. pp. 710-712
  4. DOI: https://doi.org/10.1353/mar.2015.0104
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