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Table of Contents

Features

  1. Editor’s Note: Extremity and Balance
  2. Phong Nguyen
  3. p. ii
  4. DOI: https://doi.org/10.1353/plc.2016.0000
  5. restricted access

Folio: Contemporary Japanese Fiction

  1. Introduction
  2. Motoyuki Shibata
  3. p. 60
  4. DOI: https://doi.org/10.1353/plc.2016.0073
  5. restricted access
  1. The City in the Sand
  2. Toh EnJoe, David Boyd
  3. pp. 61-64
  4. DOI: https://doi.org/10.1353/plc.2016.0088
  5. restricted access
  1. Strawberry Fields Forever and Ever
  2. Mieko Kawakami, Hitomi Yoshio
  3. pp. 65-67
  4. DOI: https://doi.org/10.1353/plc.2016.0007
  5. restricted access
  1. Tigers, and: Rain
  2. Keita Jin, Alison Watts
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/plc.2016.0022
  5. restricted access
  1. The Fool at the End of the World
  2. Kotaro Isaka, Angus Turvill
  3. pp. 70-84
  4. DOI: https://doi.org/10.1353/plc.2016.0037
  5. restricted access
  1. Who’s Afraid of Big Brother?
  2. Aoko Matsuda, Ryan Shaldjian Morrison
  3. pp. 85-94
  4. DOI: https://doi.org/10.1353/plc.2016.0052
  5. restricted access

Introducing Christine Larusso

  1. Introduction
  2. Rachel Zucker
  3. p. 112
  4. DOI: https://doi.org/10.1353/plc.2016.0026
  5. restricted access
  1. Fevered, and: Experiment to Prove the Existence of Color Underwater, and: Minimalism, and: Dear Alison, and: Dear Alison, and: Covet
  2. Christine Larusso
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/plc.2016.0041
  5. restricted access

Symposium: On “Honest Violence” in Fiction

  1. Introduction
  2. Phong Nguyen
  3. p. 150
  4. DOI: https://doi.org/10.1353/plc.2016.0044
  5. restricted access
  1. Honest Violence in Tim O’Brien’s “How to Tell a True War Story”
  2. Morris Collins
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/plc.2016.0059
  5. restricted access
  1. Honest Violence in Gustave Flaubert’s “La Légende de Saint-Julien L’hospitalier,” translated by Robert Baldick
  2. Aaron Apps
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/plc.2016.0074
  5. restricted access
  1. Honest Violence in William Giraldi’s Hold the Dark
  2. Ihab Hassan
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/plc.2016.0089
  5. restricted access
  1. We Need to Talk About Violence
  2. Suzanne Heagy
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/plc.2016.0008
  5. restricted access
  1. Baby, It Ain’t Easy: On Honesty and Violence in Gabriel García Márquez’s Chronicle of a Death Foretold
  2. J. Duncan Wiley
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/plc.2016.0023
  5. restricted access
  1. Honest Violence in George Orwell’s Homage to Catalonia
  2. Joseph Grim Feinberg
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/plc.2016.0038
  5. restricted access
  1. Honest Violence in Aleksandar Hemon’s “A Coin”
  2. Joseph Daniel Haske
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/plc.2016.0053
  5. restricted access
  1. War and Routine Violence in “The Things They Carried”
  2. Teresa Milbrodt
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/plc.2016.0068
  5. restricted access
  1. Honest Violence and Women
  2. Sharon Harrigan
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/plc.2016.0083
  5. restricted access

Fiction

  1. The Amazing Uros
  2. Hunter Choate
  3. pp. 3-11
  4. DOI: https://doi.org/10.1353/plc.2016.0046
  5. restricted access
  1. 38/M/Straight/Single
  2. Jaclyn Dwyer
  3. pp. 21-23
  4. DOI: https://doi.org/10.1353/plc.2016.0025
  5. restricted access
  1. Macbeth
  2. Glenn Shaheen
  3. p. 100
  4. DOI: https://doi.org/10.1353/plc.2016.0017
  5. restricted access
  1. The Partial Diary of Elizabeth Budding: 1827
  2. Tara L. Masih
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/plc.2016.0032
  5. restricted access
  1. Kim of Noho
  2. Kurt Becket Pitzer
  3. pp. 105-108
  4. DOI: https://doi.org/10.1353/plc.2016.0077
  5. restricted access
  1. White as Soap
  2. Teresa Milbrodt
  3. pp. 119-127
  4. DOI: https://doi.org/10.1353/plc.2016.0056
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Nonfiction

  1. A Faint Cloud Kindled at the Rising Sun
  2. Geoffrey Babbitt
  3. pp. 31-40
  4. DOI: https://doi.org/10.1353/plc.2016.0034
  5. restricted access
  1. The Adoration of the Closed Mouth
  2. Caroline Crew
  3. pp. 45-46
  4. DOI: https://doi.org/10.1353/plc.2016.0094
  5. restricted access
  1. This Year
  2. Susanna Space
  3. p. 135
  4. DOI: https://doi.org/10.1353/plc.2016.0020
  5. restricted access
  1. X-Ray Machine
  2. Dustin Parsons
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/plc.2016.0065
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Poetry

  1. For the Dead
  2. Amy Meng
  3. p. 1
  4. DOI: https://doi.org/10.1353/plc.2016.0016
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  1. What the Cows Know
  2. Audrey Hackett
  3. p. 2
  4. DOI: https://doi.org/10.1353/plc.2016.0031
  5. restricted access
  1. Chickpeas, and: Chickpeas
  2. Stephen Gibson
  3. pp. 12-14
  4. DOI: https://doi.org/10.1353/plc.2016.0061
  5. restricted access
  1. The Horse Was in Your Palm and Then You Went Home
  2. Delia Rainey
  3. p. 15
  4. DOI: https://doi.org/10.1353/plc.2016.0076
  5. restricted access
  1. Poetry Must Be Allowed to Heckle, and: Penis Is a Transitive Verb
  2. Hannah Gamble
  3. pp. 16-18
  4. DOI: https://doi.org/10.1353/plc.2016.0091
  5. restricted access
  1. Eighteen Months after the Annunciation
  2. Elizabeth Langemak
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/plc.2016.0010
  5. restricted access
  1. The Universe, As Seen From a Truck Stop Diner Outside Missoula
  2. Jay Yencich
  3. p. 24
  4. DOI: https://doi.org/10.1353/plc.2016.0040
  5. restricted access
  1. Perpetual Motion
  2. Kien Lam
  3. p. 25
  4. DOI: https://doi.org/10.1353/plc.2016.0055
  5. restricted access
  1. Tycho Brahe
  2. Ashley Keyser
  3. p. 26
  4. DOI: https://doi.org/10.1353/plc.2016.0070
  5. restricted access
  1. I Am Bikini Atoll
  2. Jessica Morey-Collins
  3. p. 27
  4. DOI: https://doi.org/10.1353/plc.2016.0085
  5. restricted access
  1. Incineration
  2. Matthew Wimberley
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/plc.2016.0004
  5. restricted access
  1. Sami Painting
  2. Randy Blythe
  3. p. 30
  4. DOI: https://doi.org/10.1353/plc.2016.0019
  5. restricted access
  1. Progression
  2. M. Lysén
  3. p. 41
  4. DOI: https://doi.org/10.1353/plc.2016.0049
  5. restricted access
  1. About Today:
  2. Adam Hayden
  3. p. 42
  4. DOI: https://doi.org/10.1353/plc.2016.0064
  5. restricted access
  1. A Pop, a Hiss, Apophasis, and: Another Surface to Air Missive
  2. Amaranth Borsuk
  3. pp. 43-44
  4. DOI: https://doi.org/10.1353/plc.2016.0079
  5. restricted access
  1. Queen Under The Hill
  2. Ocean Vuong
  3. pp. 47-48
  4. DOI: https://doi.org/10.1353/plc.2016.0013
  5. restricted access
  1. To Margery from the Road
  2. Miranda Atzbach
  3. pp. 49-50
  4. DOI: https://doi.org/10.1353/plc.2016.0028
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  1. Homophones, and: Boxing
  2. Julia Clare Tillinghast
  3. pp. 51-54
  4. DOI: https://doi.org/10.1353/plc.2016.0043
  5. restricted access
  1. Baby Food, and: The Banks
  2. Emily Skillings
  3. pp. 55-58
  4. DOI: https://doi.org/10.1353/plc.2016.0058
  5. restricted access
  1. As Often
  2. Michelle Askin
  3. p. 95
  4. DOI: https://doi.org/10.1353/plc.2016.0067
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  1. A rebel tongues still
  2. Miguel Angel Ramirez
  3. p. 96
  4. DOI: https://doi.org/10.1353/plc.2016.0082
  5. restricted access
  1. For My Future Dead, and: Pangaea
  2. Nick Narbutas
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/plc.2016.0001
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  1. Tonight’s Specials
  2. Hannah Kucharzak
  3. p. 103
  4. DOI: https://doi.org/10.1353/plc.2016.0047
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  1. Selfie with Pomona: The Goddess of Abundance
  2. Alexandra Teague
  3. p. 104
  4. DOI: https://doi.org/10.1353/plc.2016.0062
  5. restricted access
  1. Loudville
  2. David Bartone
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/plc.2016.0092
  5. restricted access
  1. Because the Economic Imperative
  2. John Harn
  3. p. 111
  4. DOI: https://doi.org/10.1353/plc.2016.0011
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  1. Come Back
  2. Lucille Lang Day
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/plc.2016.0071
  5. restricted access
  1. The Small Wife, and: Sometimes My Phone Doesn’t Ring
  2. Brian Clifton
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/plc.2016.0086
  5. restricted access
  1. talking to boys about abdelhalim hafez at parties, and: biopic containing lies about abdelhalim hafez, and: application for the position of abdelhalim hafez’s girl
  2. Safia Elhillo
  3. pp. 132-134
  4. DOI: https://doi.org/10.1353/plc.2016.0005
  5. restricted access
  1. Theory of Deception (Epigram), and: On the Fleetingness of Time, and: Heroic Times (nº 7), and: Heroic Times (nº 8)
  2. Ángel Erro, Lawrence Schimel
  3. pp. 136-139
  4. DOI: https://doi.org/10.1353/plc.2016.0035
  5. restricted access
  1. Shebutnoy (trans. Salmon-fisher)
  2. Abigail Chabitnoy
  3. p. 140
  4. DOI: https://doi.org/10.1353/plc.2016.0050
  5. restricted access
  1. The Doubling
  2. Ruth Williams
  3. p. 143
  4. DOI: https://doi.org/10.1353/plc.2016.0080
  5. restricted access
  1. A Warning
  2. Lauren Moseley
  3. p. 144
  4. DOI: https://doi.org/10.1353/plc.2016.0095
  5. restricted access
  1. Seven Little Jasmine Monologues
  2. Samira Negrouche, Marilyn Hacker
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/plc.2016.0014
  5. restricted access
  1. A Deer Mistaken for a Statue of a Deer
  2. Alicia Mountain
  3. p. 148
  4. DOI: https://doi.org/10.1353/plc.2016.0029
  5. restricted access
  1. My Sadness
  2. Susan Elizabeth Howe
  3. p. 172
  4. DOI: https://doi.org/10.1353/plc.2016.0002
  5. restricted access

In Memoriam:
Dr. Mardi Stewart, A Long Time Friend and Contributor to Pleiades
June 2nd 1938 to September 28th 2015