In this Issue

Table of Contents

The “Family Film” as Amateur Production Genre: Frank Marshall’s Comic Narratives

Ryan Shand
pp. 1-27
DOI: https://doi.org/10.5749/movingimage.15.2.0001
restricted access

Film Documentation of the Destruction of Lidice: Political and Ethical Dimensions of the Use of War Footage

Lucie Česálková
pp. 28-49
free access

Breaking Away from Reverence and Rape: The AFI Directing Workshop for Women, Feminism, and the Politics of the Accidental Archive

Philis M. Barragán Goetz
pp. 50-71
DOI: https://doi.org/10.5749/movingimage.15.2.0050
restricted access

The Remix Age: Exhibition as Archive

Viva Paci, Timothy Barnard
pp. 72-82
DOI: https://doi.org/10.5749/movingimage.15.2.0072
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Remixing Early Cinema: Historical Explorations at the EYE Film Institute Netherlands

Grazia Ingravalle
pp. 82-97
DOI: https://doi.org/10.5749/movingimage.15.2.0082
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Amateur Cinema: The Rise of North American Moviemaking, 1923–1960 by Charles Tepperman (review)

Liz Czach
pp. 98-100
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Ride the Pink Horse (1947) (review)

Ronald Wilson
pp. 101-105
restricted access

Bastard Film Encounter 2015 (review)

Andy Uhrich
pp. 105-109
restricted access

Editors’ Foreword

Susan Ohmer, Donald Crafton
pp. vii-x
DOI: https://doi.org/10.5749/movingimage.15.2.0vii
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