This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.

Front Cover: Red Figure Krater Apulia, Italy, 330–320 BCE Courtesy of the John Needles Chester Fund, The Spurlock Museum University of Illinois at Urbana-Champaign.

Illinois Classical Studies

In this Issue

View Formatted Version

Tokens of Identity: Gender and Recognition in Greek Tragedy

Laura McClure

pp. 219-236

Buying Babies in Euripides’s Hippolytus

Kirk Ormand

pp. 237-261

The Athenian Reception of Evadne’s Suicide in Euripides’s Suppliants

Nicholas M. Dee

pp. 263-279

The Seven against Thebes at Eleusis

A. Sebastian Anderson

pp. 297-318

Coincidence in Menander’s Dyskolos

Eric Dugdale

pp. 321-346

“The Greatest Anti-War Poem Imaginable”: Granville Barker’s Trojan Women in America

Niall W. Slater

pp. 347-371

“Oedipus … The Structure of Funny”: Allusions to Greek Tragedy in Contemporary Cinema

Jon Solomon

pp. 373-389

Dischronic Mediterranean: Space and Time Negotiations in Ariosto’s Comedies

Eleonora Stoppino

pp. 391-405

Seneca and the Modernity of Hamlet

Curtis Perry

pp. 407-429

Previous Issue

Volume 40, Number 1, 2015

Next Issue

Volume 41, Number 1, Spring 2016

Additional Information
ISSN	2328-5265
Print ISSN	0363-1923
Launched on MUSE	2015-12-02
Open Access	No

Additional Issue Materials

Editorial Board

Project MUSE Mission

Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.