1. What’s the Matter of Seeing in Graphic Memoir?
  2. Nancy Pedri
  3. pp. 8-29
  4. DOI: 10.1353/scr.2015.0036
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  1. A Mouse in the Bookstore: Maus and the Publishing Industry
  2. Robert Hutton
  3. pp. 30-44
  4. DOI: 10.1353/scr.2015.0025
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  1. “Watch me go invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro
  2. Sinéad Moynihan
  3. pp. 45-69
  4. DOI: 10.1353/scr.2015.0027
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  1. Collections of “Old Comic Strips” in Art Spiegelman’s In the Shadow of No Towers
  2. Nicole Stamant
  3. pp. 70-87
  4. DOI: 10.1353/scr.2015.0029
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  1. “A Vast ‘Network of Transversals’”: Labyrinthine Aesthetics in Fun Home
  2. K.W. Eveleth
  3. pp. 88-109
  4. DOI: 10.1353/scr.2015.0031
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  1. Working it Through: Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl
  2. Frederik Byrn Køhlert
  3. pp. 124-142
  4. DOI: 10.1353/scr.2015.0035
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  1. Comics and Narration by Thierry Groensteen (review)
  2. Rachel Trousdale
  3. pp. 146-147
  4. DOI: 10.1353/scr.2015.0026
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  1. Graphic Narrative: An Introduction
  2. Nicole Stamant
  3. pp. 1-7
  4. DOI: 10.1353/scr.2015.0034
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  1. The Graphic Novel: An Introduction by Jan Baetens, Hugo Frey (review)
  2. Andrew J. Kunka
  3. pp. 143-145
  4. DOI: 10.1353/scr.2015.0024
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  1. Notes on Contributors
  2. pp. 148-149
  3. DOI: 10.1353/scr.2015.0028
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  1. Books Received
  2. p. 150
  3. DOI: 10.1353/scr.2015.0030
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