1. The Things We Keep: Considerations for Appraisal of Archival Materials in Music Libraries
  2. Adriana P. Cuervo
  3. pp. 265-275
  4. DOI: 10.1353/not.2015.0144
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  1. Cataloging Music Sound Recordings in the United States: An Evolution of Practice and Standards
  2. C. Rockelle Strader
  3. pp. 276-327
  4. DOI: 10.1353/not.2015.0150
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2009–2014
  2. Kerri Scannell Baunach
  3. pp. 328-335
  4. DOI: 10.1353/not.2015.0121
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  1. Notes for Notes
  2. Jennifer A. Ward, Jeremy A. Smith, Deborah Campana
  3. pp. 336-338
  4. DOI: 10.1353/not.2015.0127
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  1. Louise Talma: A Life in Composition by Kendra Preston Leonard (review)
  2. Sarah B. Dorsey
  3. pp. 339-341
  4. DOI: 10.1353/not.2015.0132
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  1. Political Beethoven by Nicholas Mathew (review)
  2. Jane Riegel Ferencz
  3. pp. 341-343
  4. DOI: 10.1353/not.2015.0137
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  1. A Musical Life in Two Worlds: The Autobiography of Hugo Leichtentritt ed. by Mark DeVoto
  2. Klára Móricz
  3. pp. 343-345
  4. DOI: 10.1353/not.2015.0142
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  1. Lost Chords and Christian Soldiers: The Sacred Music of Sir Arthur Sullivan by Ian C. Bradley
  2. Julian Onderdonk
  3. pp. 345-348
  4. DOI: 10.1353/not.2015.0148
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  1. Schoenberg and Redemption by Julie Brown
  2. Victoria Aschheim
  3. pp. 348-351
  4. DOI: 10.1353/not.2015.0154
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  1. Mad Music: Charles Ives, the Nostalgic Rebel by Stephen Budiansky (review)
  2. Jacob A. Cohen
  3. pp. 351-353
  4. DOI: 10.1353/not.2015.0125
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  1. Harry Partch: Hobo Composer by S. Andrew Granade (review)
  2. Jake Johnson
  3. pp. 353-355
  4. DOI: 10.1353/not.2015.0130
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  1. Music in the Baroque by Wendy Heller (review)
  2. Kimberly Beck
  3. pp. 356-358
  4. DOI: 10.1353/not.2015.0135
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  1. The Operas of Giuseppe Verdi by Abramo Basevi (review)
  2. Jaime Carini
  3. pp. 358-360
  4. DOI: 10.1353/not.2015.0140
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  1. Orchestral Conducting in the Nineteenth Century ed. by Roberto Illiano and Michela Niccolai (review)
  2. Raoul F. Camus
  3. pp. 360-365
  4. DOI: 10.1353/not.2015.0146
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  1. Surfing about Music by Timothy J. Cooley (review)
  2. Matthew Mihalka
  3. pp. 367-369
  4. DOI: 10.1353/not.2015.0123
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  1. Resonances of the Raj: India in the English Musical Imagination, 1897–1947 by Nalini Ghuman (review)
  2. Laurie J. Sampsel
  3. pp. 369-372
  4. DOI: 10.1353/not.2015.0128
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  1. The Sounds of the Silents in Britain ed. by Julie Brown and Annette Davison (review)
  2. Colin Roust
  3. pp. 372-374
  4. DOI: 10.1353/not.2015.0133
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  1. Music and Levels of Narration in Film: Steps Across the Border by Guido Heldt (review)
  2. Paula Musegades
  3. pp. 374-376
  4. DOI: 10.1353/not.2015.0138
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  1. Roots of the Revival: American and British Folk Music in the 1950s by Ronald D. Cohen and Rachel Clare Donaldson (review)
  2. Lawrence Davies
  3. pp. 376-378
  4. DOI: 10.1353/not.2015.0143
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  1. Gottfried August Homilius: Thematisches Verzeichnis der musikalischen Werke by Uwe Wolf (review)
  2. Jennifer A. Ward, Martina Falletta
  3. pp. 380-382
  4. DOI: 10.1353/not.2015.0155
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  1. Fanfares and Finesse: A Performer’s Guide to Trumpet History and Literature by Elisa Koehler (review)
  2. Scott Stone
  3. pp. 382-384
  4. DOI: 10.1353/not.2015.0126
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  1. The Oxford Handbook of Topic Theory ed. by Danuta Mirka (review)
  2. Matteo Magarotto
  3. pp. 384-388
  4. DOI: 10.1353/not.2015.0131
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  1. Absolute Music: The History of an Idea by Mark Evan Bonds (review)
  2. Russ Manitt
  3. pp. 388-391
  4. DOI: 10.1353/not.2015.0136
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  1. Becoming Heinrich Schenker: Music Theory and Ideology by Robert P. Morgan (review)
  2. Brien Weiner
  3. pp. 391-392
  4. DOI: 10.1353/not.2015.0141
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 393-402
  4. DOI: 10.1353/not.2015.0147
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  1. Rhapsody (review)
  2. Matthew Testa
  3. pp. 403-406
  4. DOI: 10.1353/not.2015.0153
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  1. The Henry VIII Book (British Library, Add. MS 31922) ed. David Fallows (review)
  2. Murray Steib
  3. pp. 407-410
  4. DOI: 10.1353/not.2015.0124
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  1. French Baroque Music of New Orleans: Spiritual Songs from the Ursu -line Convent (1736) ed. by Alfred E. Lemmon (review)
  2. John H. Baron
  3. pp. 410-414
  4. DOI: 10.1353/not.2015.0129
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  1. Kammermusik mit Violine ed. by Peter Wollny (review)
  2. David Ledbetter
  3. pp. 415-419
  4. DOI: 10.1353/not.2015.0134
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  1. Choralbearbeitungen by Ute Poetzsch (review)
  2. Nicholas E. Taylor
  3. pp. 419-421
  4. DOI: 10.1353/not.2015.0139
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  1. Alternative Filmmusik zu einem Ausschnitt aus The Grapes of Wrath. Filmmusik zu Hangmen Also Die ed. Johannes C. Gall (review)
  2. Andrea F. Bohlman
  3. pp. 422-425
  4. DOI: 10.1353/not.2015.0145
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  1. Index to Advertisers
  2. p. 436
  3. DOI: 10.1353/not.2015.0122
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  1. Music Received
  2. David Knapp
  3. pp. 426-434
  4. DOI: 10.1353/not.2015.0151
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