1. Announcements
  2. pp. 1-2
  3. DOI: 10.1353/hjr.2015.0029
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  1. The Realist Blueprint
  2. Anna Kornbluh
  3. pp. 199-211
  4. DOI: 10.1353/hjr.2015.0017
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  1. Henry James, Fredric Jameson, and the Social Art of Sculpture
  2. David J. Alworth
  3. pp. 212-225
  4. DOI: 10.1353/hjr.2015.0019
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  1. Aesthetic Perception and “the flaw”: Towards a Jamesonian Account of Late James
  2. Julian Murphet
  3. pp. 226-233
  4. DOI: 10.1353/hjr.2015.0022
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  1. “Almost everything that was usual was iniquitous”: Suspicion and Proof in Henry James and Fredric Jameson
  2. Francesca Sawaya
  3. pp. 234-240
  4. DOI: 10.1353/hjr.2015.0025
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  1. Framing the Subject: Jameson’s James and The Wings of the Dove
  2. Constance Wilmarth
  3. pp. 241-248
  4. DOI: 10.1353/hjr.2015.0028
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  1. Beautiful Circuits and Subterfuges
  2. John Brenkman
  3. pp. 249-256
  4. DOI: 10.1353/hjr.2015.0031
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  1. Total Unconscious: Jameson, Conrad, and James
  2. Aaron Jaffe
  3. pp. 257-266
  4. DOI: 10.1353/hjr.2015.0033
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  1. The Possibilities of the Novel: A Look Back on the James-Wells Debate
  2. Phillip E. Wegner
  3. pp. 267-279
  4. DOI: 10.1353/hjr.2015.0018
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  1. Jameson, Burke, and the Virus of Suggestion: Between Ideology and Rhetoric
  2. Ben Wetherbee
  3. pp. 280-287
  4. DOI: 10.1353/hjr.2015.0021
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  1. Lateness in James and Jameson
  2. Daniel Moore
  3. pp. 288-295
  4. DOI: 10.1353/hjr.2015.0024
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  1. Remarks on Henry James
  2. Fredric Jameson
  3. pp. 296-306
  4. DOI: 10.1353/hjr.2015.0027
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  1. Index to Volume 36
  2. pp. 323-326
  3. DOI: 10.1353/hjr.2015.0030
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  1. Introduction
  2. Susan M. Griffin
  3. pp. 197-198
  4. DOI: 10.1353/hjr.2015.0032
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  1. A “Magnificent Distinction”: Hearing Quiet Testimony
  2. Mhairi Pooler
  3. pp. E-19-E-23
  4. DOI: 10.1353/hjr.2015.0020
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  1. Spolia: The Henry James Issue ed. by Jessa Crispin (review)
  2. Shari Goldberg
  3. pp. E-23-E-26
  4. DOI: 10.1353/hjr.2015.0023
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  1. Henry James Today ed. by John Carlos Rowe (review)
  2. Anna De Biasio
  3. pp. E-26-E-28
  4. DOI: 10.1353/hjr.2015.0026
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