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Table of Contents

  1. Editor’s Notes
  3. pp. i-ii
  4. DOI: https://doi.org/10.1353/sip.2015.0036
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  1. Cain, Cam, Jutes, Giants, and the Textual Criticism of Beowulf
  2. Leonard Neidorf
  3. pp. 599-632
  4. DOI: https://doi.org/10.1353/sip.2015.0025
  5. restricted access
  1. Melodye and Noyse: An Aesthetic of Musica in The Knight’s Tale and The Miller’s Tale
  2. Juliana Chapman
  3. pp. 633-655
  4. DOI: https://doi.org/10.1353/sip.2015.0027
  5. restricted access
  1. “Al we wilniþ to ben old. wy is eld ihatid”: Aging and Ageism in Le Bone Florence of Rome
  2. Wanchen Tai
  3. pp. 656-679
  4. DOI: https://doi.org/10.1353/sip.2015.0029
  5. restricted access
  1. Imagining the Author in Late Medieval England and France: The Transmission and Reception of Christine de Pizan’s Epistre au dieu d’Amours and Thomas Hoccleve’s Letter of Cupid
  2. Rory G. Critten
  3. pp. 680-697
  4. DOI: https://doi.org/10.1353/sip.2015.0031
  5. restricted access
  1. “Worse than Philomel”: Violence, Revenge, and Meta-Allusion in Titus Andronicus
  2. William W. Weber
  3. pp. 698-717
  4. DOI: https://doi.org/10.1353/sip.2015.0033
  5. restricted access
  1. Ralph Crane and the Authorship of The Most Auntient Historie of God and Man, Louis Round Wilson Special Collections Library MS PR2199.M67
  2. Amy Bowles
  3. pp. 718-740
  4. DOI: https://doi.org/10.1353/sip.2015.0035
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  1. “Various expressions in a Various matter”: The Unity in Hybridity of William Leighton’s Devotional Miscellany
  2. Kevin Chovanec
  3. pp. 741-773
  4. DOI: https://doi.org/10.1353/sip.2015.0024
  5. restricted access
  1. John Milton, Oliver Cromwell, and the Cause of Conscience
  2. Giuseppina Iacono Lobo
  3. pp. 774-797
  4. DOI: https://doi.org/10.1353/sip.2015.0026
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  1. John Milton’s Beehive, from Polemic to Epic
  2. Nicole A. Jacobs
  3. pp. 798-816
  4. DOI: https://doi.org/10.1353/sip.2015.0028
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  1. John Milton, Paradox, and the Atonement: Heresy, Orthodoxy, and the Son’s Whole-Life Obedience
  2. David V. Urban
  3. pp. 817-836
  4. DOI: https://doi.org/10.1353/sip.2015.0030
  5. restricted access
  1. Uncouth Rhymes: Thomas Gray, Prosody, and Literary History
  2. Joshua Swidzinski
  3. pp. 837-861
  4. DOI: https://doi.org/10.1353/sip.2015.0032
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  1. Contents of Volume 112
  3. pp. 863-867
  4. DOI: https://doi.org/10.1353/sip.2015.0034
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