1. The Weitra Fragment: A Central European Source of Late Medieval Polyphony
  2. Susana Zapke, Peter Wright
  3. pp. 323-343
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  1. Performing Sovereignty, Sounding Autonomy: Political Representation in the Operas of Maria Antonia of Saxony
  2. Estelle Joubert
  3. pp. 344-389
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  1. Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France
  2. Katharine Ellis
  3. pp. 390-417
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  1. Awakening ‘Sleeping Beauty’: The Creation of National Ballet in Britain
  2. Kate Guthrie
  3. pp. 418-448
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  1. Senza vestimenta: The Literary Tradition of Trecento Song by Lauren McGuire Jennings (review)
  2. Elena Abramov-Van Rijk
  3. pp. 449-450
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  1. Singing Dante: The Literary Origins of Cinquecento Monody by Elena Abramov-van Rijk (review)
  2. Renata Pieragostini
  3. pp. 450-452
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  1. St. Anne in Renaissance Music: Devotion and Politics by Michael Alan Anderson (review)
  2. Peter V. Loewen
  3. pp. 452-454
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  1. Claudio Monteverdi ‘letterato’ ou les métamorphoses du texte by Christophe Georis (review)
  2. Tim Carter
  3. pp. 457-459
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  1. Gender and Song in Early Modern England ed. by Leslie C. Dunn and Katherine R. Larson (review)
  2. Regula Hohl Trillini
  3. pp. 462-464
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  1. Concepts of Creativity in Seventeenth-Century England ed. by Rebecca Herissone and Alan Howard (review)
  2. Andrew Pinnock
  3. pp. 464-467
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  1. George Frideric Handel: Collected Documents, i: 1609–1725 ed. by Donald Burrows et al. (review)
  2. Thomas Mcgeary
  3. pp. 467-470
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  1. Convent Music and Politics in Eighteenth-Century Vienna by Janet K. Page (review)
  2. Colleen Reardon
  3. pp. 472-473
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  1. The Oxford Handbook of Topic Theory ed. by Danuta Mirka (review)
  2. Mark Ferraguto
  3. pp. 473-476
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  1. The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music by Tim Eggington (review)
  2. William Weber
  3. pp. 476-478
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  1. The Sounds of Paris in Verdi’s La traviata by Emilio Sala (review)
  2. Susan Rutherford
  3. pp. 478-480
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  1. Becoming Heinrich Schenker: Music Theory and Ideology by Robert P. Morgan (review)
  2. Nicholas Marston
  3. pp. 480-484
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  1. Louis Armstrong: Master of Modernism by Thomas Brothers (review)
  2. Brian Harker
  3. pp. 484-486
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  1. Funeral Games in Honor of Arthur Vincent Lourié ed. by Klára Móricz and Simon Morrison (review)
  2. Katerina Levidou
  3. pp. 486-489
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  1. The Australian Symphony from Federation to 1960 by Rhoderick McNeill (review)
  2. Peter Tregear
  3. pp. 489-491
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  1. A Musician Divided: André Tchaikowsky in his Own Words ed. by Anastasia Belina-Johnson (review)
  2. Tamsin Alexander
  3. pp. 491-494
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  1. Alaturka: Style in Turkish Music (1923–1938) by John Morgan O’Connell (review)
  2. Eliot Bates
  3. pp. 494-496
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  1. Theory and Method in Historical Ethnomusicology ed. by Jonathan McCollum and David G. Hebert (review)
  2. Jacob Olley
  3. pp. 496-498
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  1. Assimilate: A Critical History of Industrial Music by S. Alexander Reed (review)
  2. Rob Upton
  3. pp. 498-500
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  1. The Westrup Prize
  2. p. 501
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  1. Recipients Of ‘Music & Letters’ Awards
  2. p. 501
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  1. ‘Music & Letters’ Awards
  2. p. 504
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  1. Authors of Articles in this Issue
  2. p. 504
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  1. Books Received
  2. pp. 505-507
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