1. Color Plate
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  1. Redefinition within the Changing Acoustic Environment
  2. Gayle Young
  3. pp. 1-2
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  1. Skyharp: An Interactive Electroacoustic Instrument
  2. Kristi A. Allik, Robert C. F. Mulder
  3. pp. 3-10
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  1. To Listen and To See: Making and Using Electronic Instruments
  2. Xavier Chabot, Marc Battier
  3. pp. 11-16
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  1. Both Sides of the Mirror: Integrating Physics and Acoustics with Personal Experience
  2. Helen Hall
  3. pp. 17-23
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  1. The Last Garden: Explorations in Interactive Performance Methods
  2. Richard M. Povall
  3. pp. 25-28
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  1. Electronic Midwifery: A Videophone Celebration of Pauline Oliveros’s Four Decades of Composing and Community
  2. Joe Catalano
  3. pp. 29-34
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  1. The Earth Worm Also Sings: A composer’s practice of deep listening
  2. Pauline Oliveros
  3. pp. 35-38
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  1. Musi-tecture: Seeking Useful Correlations Between Music and Architecture
  2. Gregory Young, Jerry Bancroft, Mark Sanderson
  3. pp. 39-43
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  1. How To Level a Driver Sequence
  2. Charles Ames
  3. pp. 45-52
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  1. Our Score: A Description of Metro 3, A Compositional and Performance Software Program
  2. Giuseppe G. Englert
  3. pp. 53-58
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  1. Creating a Visual Translation of Kurt Schwitters’s Ursonate
  2. Jack Ox
  3. pp. 59-61
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  1. Vocal Neighborhoods: A Walk through the Post-Sound Poetry Landscape
  2. Larry Wendt
  3. pp. 65-71
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  1. Artificial Music: The Evolution of Musical Strata
  2. Andrew Horner, Andrew Assad, Norman Packard
  3. p. 81
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  1. The Tuning of the World: The First International Conference on Acoustic Ecology
  2. Debra Sykes
  3. pp. 82-84
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  1. IEEE Computer Society: Task Force on Computer-Generated Music
  2. Goffredo Haus
  3. pp. 83-84
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  1. Computer und Musik: Eine Einführung in die digitale Klang—und Musikverarbeitung by Philipp Ackermann (review)
  2. Guerino Mazzola
  3. p. 85
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  1. Giuseppe G. Englert, and: COSMOS I by Kazuo Uehara (review)
  2. Marc Battier
  3. pp. 85-87
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  1. La Belleza Del Sllencio by Orlando Jacinto Garcia (review)
  2. Robert Coburn
  3. pp. 87-88
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  1. Musicworks 55: Sound Ecology (review)
  2. Robert Coburn
  3. pp. 88-89
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  1. Almost Never by Biota (review)
  2. Scott Daly
  3. p. 89
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  1. Action/Réaction by Daniel Scheidt (review)
  2. Martin Herman
  3. pp. 89-91
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  1. Steel & Bamboo by Robert Dick, Steve Gorn (review)
  2. Matt Malsky
  3. p. 91
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  1. Looking East—Synthesizer Music from Estonia and Russia (review)
  2. Mark Rais
  3. pp. 91-92
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  1. Relaxation II (review)
  2. Mark Rais
  3. p. 92
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  1. Om by Sven Grunberg (review)
  2. Mark Rais
  3. p. 92
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  1. Other Releases
  2. pp. 92-93
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  1. Grm Tools Version 1.0 by Hugues Vinet, Olivier Koechlin, Didier Brisson (review)
  2. Marc Battier
  3. pp. 93-94
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  1. Inter-Actors 1.0 And Midishare 1.65 by Hervé Lequay, Yann Orlarey, Thierry Carron (review)
  2. Robert Rowe
  3. pp. 94-95
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  1. Bibliography
  2. pp. 95-96
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  1. 1993 Index, Leonardo Volume 26 and Leonardo Music Journal Volume 3
  2. pp. 97-100
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  1. Contributors’ Notes
  2. pp. 73-79
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  1. Materials Received
  2. p. 96
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