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In this Issue

Table of Contents

  1. Color Plate
  2. restricted access
  1. Redefinition within the Changing Acoustic Environment
  2. Gayle Young
  3. pp. 1-2
  4. restricted access
  1. Skyharp: An Interactive Electroacoustic Instrument
  2. Kristi A. Allik, Robert C. F. Mulder
  3. pp. 3-10
  4. restricted access
  1. To Listen and To See: Making and Using Electronic Instruments
  2. Xavier Chabot, Marc Battier
  3. pp. 11-16
  4. restricted access
  1. Both Sides of the Mirror: Integrating Physics and Acoustics with Personal Experience
  2. Helen Hall
  3. pp. 17-23
  4. restricted access
  1. The Last Garden: Explorations in Interactive Performance Methods
  2. Richard M. Povall
  3. pp. 25-28
  4. restricted access
  1. Electronic Midwifery: A Videophone Celebration of Pauline Oliveros’s Four Decades of Composing and Community
  2. Joe Catalano
  3. pp. 29-34
  4. restricted access
  1. The Earth Worm Also Sings: A composer’s practice of deep listening
  2. Pauline Oliveros
  3. pp. 35-38
  4. restricted access
  1. Musi-tecture: Seeking Useful Correlations Between Music and Architecture
  2. Gregory Young, Jerry Bancroft, Mark Sanderson
  3. pp. 39-43
  4. restricted access
  1. How To Level a Driver Sequence
  2. Charles Ames
  3. pp. 45-52
  4. restricted access
  1. Our Score: A Description of Metro 3, A Compositional and Performance Software Program
  2. Giuseppe G. Englert
  3. pp. 53-58
  4. restricted access
  1. Creating a Visual Translation of Kurt Schwitters’s Ursonate
  2. Jack Ox
  3. pp. 59-61
  4. restricted access
  1. Vocal Neighborhoods: A Walk through the Post-Sound Poetry Landscape
  2. Larry Wendt
  3. pp. 65-71
  4. restricted access
  1. Artificial Music: The Evolution of Musical Strata
  2. Andrew Horner, Andrew Assad, Norman Packard
  3. p. 81
  4. restricted access
  1. The Tuning of the World: The First International Conference on Acoustic Ecology
  2. Debra Sykes
  3. pp. 82-84
  4. restricted access
  1. IEEE Computer Society: Task Force on Computer-Generated Music
  2. Goffredo Haus
  3. pp. 83-84
  4. restricted access
  1. Computer und Musik: Eine Einführung in die digitale Klang—und Musikverarbeitung by Philipp Ackermann (review)
  2. Guerino Mazzola
  3. p. 85
  4. restricted access
  1. Giuseppe G. Englert, and: COSMOS I by Kazuo Uehara (review)
  2. Marc Battier
  3. pp. 85-87
  4. restricted access
  1. La Belleza Del Sllencio by Orlando Jacinto Garcia (review)
  2. Robert Coburn
  3. pp. 87-88
  4. restricted access
  1. Musicworks 55: Sound Ecology (review)
  2. Robert Coburn
  3. pp. 88-89
  4. restricted access
  1. Almost Never by Biota (review)
  2. Scott Daly
  3. p. 89
  4. restricted access
  1. Action/Réaction by Daniel Scheidt (review)
  2. Martin Herman
  3. pp. 89-91
  4. restricted access
  1. Steel & Bamboo by Robert Dick, Steve Gorn (review)
  2. Matt Malsky
  3. p. 91
  4. restricted access
  1. Looking East—Synthesizer Music from Estonia and Russia (review)
  2. Mark Rais
  3. pp. 91-92
  4. restricted access
  1. Relaxation II (review)
  2. Mark Rais
  3. p. 92
  4. restricted access
  1. Om by Sven Grunberg (review)
  2. Mark Rais
  3. p. 92
  4. restricted access
  1. Other Releases
  2. pp. 92-93
  3. restricted access
  1. Grm Tools Version 1.0 by Hugues Vinet, Olivier Koechlin, Didier Brisson (review)
  2. Marc Battier
  3. pp. 93-94
  4. restricted access
  1. Inter-Actors 1.0 And Midishare 1.65 by Hervé Lequay, Yann Orlarey, Thierry Carron (review)
  2. Robert Rowe
  3. pp. 94-95
  4. restricted access
  1. Bibliography
  2. pp. 95-96
  3. restricted access
  1. 1993 Index, Leonardo Volume 26 and Leonardo Music Journal Volume 3
  2. pp. 97-100
  3. restricted access
  1. Contributors’ Notes
  2. pp. 73-79
  3. restricted access
  1. Materials Received
  2. p. 96
  3. restricted access

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Volume 2, 1992

Next Issue

Volume 4, 1994