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In this Issue

Table of Contents

  1. Illustration
  2. restricted access
  1. Economic Aspects of Leonardo
  2. Bryan Rogers
  3. pp. 257-258
  4. restricted access
  1. A View of Evolution Expressed in Sculpture: A Reflection of Nuclear Angst
  2. Bella Tabak Feldman
  3. pp. 259-264
  4. restricted access
  1. Painting and Drawing as Manifestations of Visual Perception
  2. Paul Pratchenko
  3. pp. 273-279
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  1. Connections between the Geological Sciences and Visual Art: Historical Perspectives and Personal Expression in Artwork
  2. Othmar T. Tobisch
  3. pp. 280-287
  4. restricted access
  1. Environment-Sensing Artworks and Interactive Events: Exploring Implications of Microcomputer Developments
  2. Stephen Wilson
  3. pp. 288-292
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  1. Motion Painting: ‘Abstract Animation as an Art Form
  2. Lorettann Devlin Gascard
  3. pp. 293-297
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  1. Neural Art: Works Based on Concepts of the Nervous System
  2. George K. Shortess
  3. pp. 306-309
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  1. Horizontal Lines and Vertical Lines in Science and Art
  2. Giorgio Careri
  3. p. 310
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  1. The Artist’s Use of Telecommunications: A Review
  2. Eric Gidney
  3. pp. 311-315
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  1. The Place of Science and Technology in the Liberal Arts Curriculum
  2. David S. Saxon
  3. pp. 316-319
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  1. Historical Perspectives on the Visual Arts, Science and Technology
  2. David R. Topper
  3. pp. 321-324
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  1. Brian Clarke by Martin Harrison (review)
  2. Edward R. Pope
  3. p. 325
  4. restricted access
  1. The Artist and the Real World by Frederick Whitaker (review)
  2. Jean C. Rush
  3. pp. 325-326
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  1. Search for New Arts by Charles Biederman (review)
  2. Henry P. Raleigh
  3. p. 326
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  1. The Eye of the Artist by Jack Clifton (review)
  2. Bill Pike
  3. pp. 326-327
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  1. Man The Promising Primate by Peter J. Wilson (review)
  2. David Smith
  3. p. 327
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  1. Common Denominators in Art and Science ed. by M. Pollock (review)
  2. Roger F. Malina
  3. p. 327
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  1. Reflections on Science and the Media by June Goodfield (review)
  2. Jacques G. Richardson
  3. pp. 327-328
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  1. Mathematics: The Loss of Certainty by Morris Kline (review)
  2. J. Guberman
  3. p. 328
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  1. The Surface of Mars by Michael H. Carr (review)
  2. Nan Conklin
  3. pp. 328-329
  4. restricted access
  1. Particles and Fields. Readings from Scientific American (review)
  2. Nan Conklin
  3. p. 329
  4. restricted access
  1. A Seventh Man: A Book of Images and Words about the Experience of Migrant Workers in Europe by John Berger, Jean Mohr (review)
  2. Lucia Adams
  3. p. 329
  4. restricted access
  1. Another Way of Telling by John Berger, Jean Mohr (review)
  2. Lucia Adams
  3. p. 329
  4. restricted access
  1. Arts on the Level: The Fall of the Elite Object by Murray Krieger (review)
  2. Hans Brill
  3. pp. 329-330
  4. restricted access
  1. Arts in Cultural Diversity ed. by Jack Condous, Janferie Howlett, John Skull (review)
  2. Hans Brill
  3. p. 330
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  1. Space Light—A Holography and Laser Spectacular by Paul Walton (review)
  2. Nancy Gorglione
  3. p. 330
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  1. Books by Artists by Tim Guest, Germano Celant (review)
  2. Richard Kostelanetz
  3. pp. 330-331
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  1. Getting Up. Subway Graffiti in New York by Craig Castleman (review)
  2. Clive Ashwin
  3. p. 331
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  1. Letters
  2. Roger F. Malina, Kenneth R. Adams, John L. Ward, Paul Ré, Ed Manning, Rudolf Arnheim
  3. pp. 333-335
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  1. Formal Records of the Use of Time and Movement through Space: A Conceptual and Visual Series of Artworks
  2. Morgan O’Hara, Susan Hewitt
  3. pp. 265-272
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  1. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions by Peter S. Stevens (review)
  2. Robert Dixon
  3. p. 326
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  1. Books Received
  2. pp. 331-332
  3. restricted access