1. Illustration
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  1. Economic Aspects of Leonardo
  2. Bryan Rogers
  3. pp. 257-258
  4. restricted access
  1. A View of Evolution Expressed in Sculpture: A Reflection of Nuclear Angst
  2. Bella Tabak Feldman
  3. pp. 259-264
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  1. Painting and Drawing as Manifestations of Visual Perception
  2. Paul Pratchenko
  3. pp. 273-279
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  1. Connections between the Geological Sciences and Visual Art: Historical Perspectives and Personal Expression in Artwork
  2. Othmar T. Tobisch
  3. pp. 280-287
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  1. Environment-Sensing Artworks and Interactive Events: Exploring Implications of Microcomputer Developments
  2. Stephen Wilson
  3. pp. 288-292
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  1. Motion Painting: ‘Abstract Animation as an Art Form
  2. Lorettann Devlin Gascard
  3. pp. 293-297
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  1. Russian ‘Rayism’, the Work and Theory of Mikhail Larionov and Natalya Goncharova 1912–1914: Ouspensky’s Four-Dimensional Super Race?
  2. Anthony Parton
  3. pp. 298-305
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  1. Neural Art: Works Based on Concepts of the Nervous System
  2. George K. Shortess
  3. pp. 306-309
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  1. Horizontal Lines and Vertical Lines in Science and Art
  2. Giorgio Careri
  3. p. 310
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  1. The Artist’s Use of Telecommunications: A Review
  2. Eric Gidney
  3. pp. 311-315
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  1. The Place of Science and Technology in the Liberal Arts Curriculum
  2. David S. Saxon
  3. pp. 316-319
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  1. Historical Perspectives on the Visual Arts, Science and Technology
  2. David R. Topper
  3. pp. 321-324
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  1. Brian Clarke by Martin Harrison (review)
  2. Edward R. Pope
  3. p. 325
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  1. The Artist and the Real World by Frederick Whitaker (review)
  2. Jean C. Rush
  3. pp. 325-326
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  1. Search for New Arts by Charles Biederman (review)
  2. Henry P. Raleigh
  3. p. 326
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  1. The Eye of the Artist by Jack Clifton (review)
  2. Bill Pike
  3. pp. 326-327
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  1. Man The Promising Primate by Peter J. Wilson (review)
  2. David Smith
  3. p. 327
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  1. Common Denominators in Art and Science ed. by M. Pollock (review)
  2. Roger F. Malina
  3. p. 327
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  1. Reflections on Science and the Media by June Goodfield (review)
  2. Jacques G. Richardson
  3. pp. 327-328
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  1. Mathematics: The Loss of Certainty by Morris Kline (review)
  2. J. Guberman
  3. p. 328
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  1. The Surface of Mars by Michael H. Carr (review)
  2. Nan Conklin
  3. pp. 328-329
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  1. Particles and Fields. Readings from Scientific American (review)
  2. Nan Conklin
  3. p. 329
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  1. A Seventh Man: A Book of Images and Words about the Experience of Migrant Workers in Europe by John Berger, Jean Mohr (review)
  2. Lucia Adams
  3. p. 329
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  1. Another Way of Telling by John Berger, Jean Mohr (review)
  2. Lucia Adams
  3. p. 329
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  1. Arts on the Level: The Fall of the Elite Object by Murray Krieger (review)
  2. Hans Brill
  3. pp. 329-330
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  1. Arts in Cultural Diversity ed. by Jack Condous, Janferie Howlett, John Skull (review)
  2. Hans Brill
  3. p. 330
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  1. Space Light—A Holography and Laser Spectacular by Paul Walton (review)
  2. Nancy Gorglione
  3. p. 330
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  1. Books by Artists by Tim Guest, Germano Celant (review)
  2. Richard Kostelanetz
  3. pp. 330-331
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  1. Getting Up. Subway Graffiti in New York by Craig Castleman (review)
  2. Clive Ashwin
  3. p. 331
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  1. Letters
  2. Roger F. Malina, Kenneth R. Adams, John L. Ward, Paul Ré, Ed Manning, Rudolf Arnheim
  3. pp. 333-335
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  1. Formal Records of the Use of Time and Movement through Space: A Conceptual and Visual Series of Artworks
  2. Morgan O’Hara, Susan Hewitt
  3. pp. 265-272
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  1. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions by Peter S. Stevens (review)
  2. Robert Dixon
  3. p. 326
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  1. Books Received
  2. pp. 331-332
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