1. Illustration
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  1. An Application of the Water Bell Liquid Flow Phenomenon in Visual Art
  2. Philip Bornarth, Franklyn K. Schwaneflugel
  3. pp. 265-269
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  1. Computer Art: Pictures Composed of Binary Elements on a Square Grid
  2. Michael Thompson
  3. pp. 271-276
  4. restricted access
  1. On Painting Realistically: A Memoir
  2. Anthony Toney
  3. pp. 277-282
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  1. Perception of Perspective Pictorial Space from Different Viewing Points
  2. Rudolf Arnheim
  3. pp. 283-288
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  1. The Symbolism of the Cross in Sacred and Secular Art
  2. Tim Healey
  3. pp. 289-294
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  1. On Interpreting Pictorial Art: Reflections on J. J. Gibson’s Invariants Hypothesis
  2. David R. Topper
  3. pp. 295-300
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  1. On My Approach to Making Paintings in Black and White
  2. Joan B. Altabe
  3. pp. 301-302
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  1. The Structuralism of Claude Levi-Strauss and the Visual Arts
  2. Art Brenner
  3. pp. 303-306
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  1. Participatory Art with Steam as Medium: ‘Steam Works’
  2. Joan Brigham
  3. pp. 307-308
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  1. My Sculpture Made from Polyester Resin and Bones
  2. Rita Kepner
  3. pp. 309-311
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  1. Comments on David L. Drabkin’s book Fundamental Structure: Nature’s Architecture
  2. Arthur L. Loeb
  3. pp. 313-314
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  1. Paintings and Poetry: A Teaching/Learning Experience in Self-Actualization
  2. Patricia L. Musick
  3. pp. 315-316
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  1. Comments on Umberto Eco’s Book A Theory of Semiotics
  2. John A. Walker
  3. pp. 317-319
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  1. A Commentary on Királyfalvi’s Book The Aesthetics of György Lukács
  2. Forrest Williams
  3. pp. 320-321
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  1. Deciphering the Signs of the Times
  2. Jonathan Culler
  3. pp. 322-323
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  1. Science Foils Poetry
  2. Antoine Pevsner
  3. pp. 324-325
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  1. Terminology
  2. p. 326
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  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 327-328
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  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 329-332
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  1. The Heritage of Copernicus: Theories ‘Pleasing to the Mind’ ed. by Jerzy Neyman (review)
  2. James A. Goldman
  3. p. 333
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  1. Science and Society: Past, Present and Future ed. by Nicholas H. Steneck (review)
  2. J. C. Kapur
  3. pp. 333-334
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  1. Symmetry in Science and Art by A. V. Shubnikov and V. A. Koptsik (review)
  2. Marc H. Bornstein
  3. p. 334
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  1. Magic Squares by John Lee Fults (review)
  2. S. T. Ts’ai
  3. p. 334
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  1. Cymatics, Vol. II by Hans Jenny (review)
  2. S. W. Hayter
  3. pp. 334-335
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  1. Lasers by O. S. Heavens (review)
  2. J. S. Ostoja-Kotkowski
  3. p. 335
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  1. Handbook of Perception, Vol. 5—Seeing ed. by Edward C. Carterette and Morton P. Friedman (review)
  2. John M. Kennedy
  3. p. 335
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  1. The Visual World of the Child by Eliane Vurpillot (review)
  2. Albert Yonas
  3. pp. 335-336
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  1. Philosophy of Beauty by Francis J. Kovach (review)
  2. Allan Shields
  3. p. 336
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  1. Marxist Esthetics by Henri Arvon (review)
  2. Jeanne Brody
  3. pp. 336-337
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  1. Vision and Artifact ed. by Mary Henle (review)
  2. Kim James
  3. p. 337
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  1. Art and the Aesthetic: All Institutional Analysis by George Dickie (review)
  2. Gerhard Charles Rump
  3. pp. 338-339
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  1. The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and Pater by Richard L. Stein (review)
  2. Blake Morrison
  3. p. 339
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  1. The Use and Abuse of Art by Jacques Barzun (review)
  2. Henry Abramovitch
  3. p. 340
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  1. Causing, Perceiving and Believing by Peter H. Hare and Edward H. Madden (review)
  2. P. T. Landsberg
  3. p. 340
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  1. Toward the Transformation of Art by Justin Schorr (review)
  2. Bernard Myers
  3. pp. 340-341
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  1. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France by Francis Haskell (review)
  2. Barron M. Hirsch
  3. p. 341
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  1. Cultural Policy in Finland (review)
  2. Yrjänä Levante
  3. p. 341
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  1. Cultural Policy in Kenya by Kivuto Ndeti, The Cultural Policy of the United Republic of Tanzania by L. A. Mbughuni (review)
  2. S. I. Clerk
  3. pp. 341-342
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  1. Artists and Their Public by Nigel Abercrombie (review)
  2. David Friend
  3. p. 342
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  1. The Awkward Embrace: The Creative Artist and the Institution in America by Joan Simpson Burns (review)
  2. Gifford Phillips
  3. pp. 342-343
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  1. African Art in Motion by Robert Farris Thompson (review)
  2. Gerald Moore
  3. p. 343
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  1. American Sculpture in Process: 1930/1970 by Wayne Andersen (review)
  2. Peter Lipman-Wulf
  3. p. 343
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  1. The Bachelor Machines ed. by Harald Szeeman (review)
  2. Joseph Adler
  3. p. 344
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  1. Hyperrealism by Linda Chase, Super Realism: A Critical Anthology ed. by Gregory Battcock (review)
  2. Donna Stein
  3. p. 344
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  1. The World as Non-Objectivity: Unpublished Writings 1922–25 by K. S. Malevich (review)
  2. Ilya Bolotowsky
  3. pp. 344-345
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  1. Paul Klee Notebooks, Vol. 2: The Nature of Nature ed. by Jürg Spiller (review)
  2. Frederick S. Levine
  3. p. 345
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  1. The Art of Romare Bearden: The Prevalence of Ritual by M. Bunch Washington (review)
  2. Margaret T. G. Burroughs
  3. p. 346
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  1. The Visual Bible: Ninety-Two Drawings by Mortimer Borne (review)
  2. R. S. Biran
  3. p. 346
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  1. Mosaics: The Secrets, Tools and Techniques by Brian Bull (review)
  2. Michel Schmidt-Chevalier
  3. p. 346
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  1. The Art of Print Making: A Comprehensive Guide to Graphic Techniques by Erich Rhein (review)
  2. Romas Viesulas
  3. p. 347
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  1. Screen Printing Techniques by Silvie Turner (review)
  2. Ruth Faerber
  3. p. 347
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  1. Street Art by Robert Sommer (review)
  2. Wayne Enstice
  3. pp. 347-348
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  1. Animal Architecture by Karl von Frisch (review)
  2. Donald J. Bush
  3. p. 348
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  1. Architecture and the Environment by Maxwell Fry and Jane Drew (review)
  2. Constance E. Wagar
  3. p. 348
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  1. Cinematics by Paul Weiss (review)
  2. Harry Rand
  3. p. 349
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  1. Letters
  2. pp. 351-352
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  1. Books Received
  2. pp. 349-350
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