1. Holography as an Art Medium
  2. Margaret Benyon
  3. pp. 1-9
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  1. The Creative Process Where the Artist is Amplified or Superseded by the Computer
  2. Stroud Cornock, Ernest Edmonds
  3. pp. 11-16
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  1. Computer and Kinetic Art: Investigations of Matrix Configuration
  2. J. Kenneth Edmiston
  3. pp. 17-22
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  1. Nakedness and Nudity: A Darwinian Explanation for Looking and Showing behavior
  2. Leonard Blank
  3. pp. 23-27
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  1. Figure
  2. p. 28
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  1. Some Thoughts on Rudolf Arnheim’s Book “Entropy and Art”
  2. Peter Lloyd Jones
  3. pp. 29-35
  4. restricted access
  1. On the Simulation of an Art Work by a Markov Chain with the Aid of a Digital Computer
  2. Yves Kodratoff
  3. pp. 37-41
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  1. On the Concept of ‘Formless Invariants’ in Visual Perception
  2. J. J. Gibson
  3. pp. 43-45
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  1. Kinetic Art: Constructions with Stretched Fabric Strips
  2. Thorbjørn Lausten
  3. pp. 47-48
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  1. The Wildwood School for Children Aged Three to Six at Aspen, Colorado, U.S.A.
  2. Robert B. Lewis, Bonnie Barret Stretch
  3. pp. 49-51
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  1. Formal Definitions and Myths in my Paintings
  2. Ethel Schwabacher
  3. pp. 53-55
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  1. On Scientific and Artistic Creativity
  2. Albert Szent-Gyorgyi
  3. pp. 57-58
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  1. A Cartography of the Ecstatic and Meditative States
  2. Roland Fischer
  3. pp. 59-66
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  1. Terminology
  2. pp. 67-68
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  1. Science, Man and Society by Robert B. Fischer, and: The Future of Man by Robert K. Graham (review)
  2. David Smith
  3. p. 69
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  1. Principles of Perceptual Learning and Development by Eleanor J. Gibson (review)
  2. Pierre Mounoud
  3. pp. 69-70
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  1. The Aesthetic Field: A Phenomenology of Aesthetic Experience by Arnold Berleant (review)
  2. Raoul Michau
  3. pp. 70-71
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  1. Dada: Art and Anti-art by Hans Richter (review)
  2. Peter C. Marzio
  3. pp. 71-72
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  1. Serial Imagery by John Coplans (review)
  2. Albert Garrett
  3. p. 72
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  1. The Living Arts of Nigeria ed. by William Fagg (review)
  2. Romare Bearden, Carl Holty
  3. pp. 72-73
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  1. The Fine Art of Portraiture by Frank Covino (review)
  2. Norman Narotzky
  3. p. 73
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  1. What is Modern Sculpture? by Robert Goldwater (review)
  2. Nigel Konstant
  3. p. 73
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  1. Encyclopaedia of Themes and Subjects in Painting by Howard Daniel (review)
  2. Alfonz Lengyel
  3. p. 73
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  1. Jheronimus Bosch by R. H. Marijnissen, et al. (review)
  2. Emiel Bergen
  3. pp. 73-74
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  1. Moholy-Nagy ed. by Richard Kostelanetz (review)
  2. Ilya Bolotowsky
  3. p. 74
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  1. The Nature of Light: A Historical Survey by Vasco Ronchi (review)
  2. P. K. Hoenich
  3. pp. 74-75
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  1. Entropy and Art: An Essay on Disorder and Order by Rudolf Arnheim (review)
  2. Michael Hoare
  3. pp. 76-77
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  1. Projective Ornament by Claude Bragadon, and: Projective Geometry: Creative Polarities in Space and Time by Olive Whicher (review)
  2. Anthony Hill
  3. pp. 77-79
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  1. Shapes, Space, and Symmetry by Alan Holden, and: The Divine Proportion: A Study in Mathematical Beauty by H. E. Huntley (review)
  2. William Moser
  3. p. 79
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  1. The Geometry of Environment by L. March, P. Steadman (review)
  2. Michael Challinor
  3. pp. 79-80
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  1. Arteonica: O Uso de Meios Electronicos Nos Artes [On the Use of Computers in Art] by W. Cordeiro (review)
  2. Richard H. Williams
  3. pp. 80-81
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  1. The Computer in Art by Jasia Reichardt, and: Cybernetics, Art and Ideas ed. by Jasia Reichardt (review)
  2. Michael Thompson
  3. pp. 81-82
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  1. Screen Printing by J. I. Biegeleisen (review)
  2. Ruth Faerber
  3. p. 82
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  1. Instructional Science by Barron M. Hirsch (review)
  2. Barron M. Hirsch
  3. p. 82
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  1. International Opportunities for Artists
  2. pp. 85-88
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  1. Calendar of Events: 1973
  2. pp. 89-90
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  1. Letters
  2. pp. 91-95
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  1. Books Received
  2. pp. 82-83
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