1. Pourquoi je fais des collages
  2. Jeanne Coppel
  3. pp. 389-396
  4. restricted access
  1. ‘The Route of Friendship’: Sculpture
  2. Mathias Goeritz
  3. pp. 397-407
  4. restricted access
  1. Computer-aided Multi-element Geometrical Abstract Paintings
  2. Zdeněk Sýkora, Jaroslav Blažek
  3. pp. 409-413
  4. restricted access
  1. The Aesthetic Potential of the Sensory Modes
  2. Donald Brook, John Ritchie
  3. pp. 415-424
  4. restricted access
  1. On the Relation between Hallucination and Perception
  2. James J. Gibson
  3. pp. 425-427
  4. restricted access
  1. Photochromic Glass
  2. Norbert J. Kreidl
  3. pp. 429-432
  4. restricted access
  1. Kinetic Art: The Kinoptic System
  2. Valerios Caloutsis
  3. pp. 433-434
  4. restricted access
  1. Nos sculptures en acier Cor-Ten
  2. Michèle Goalard, Albert Marchais
  3. pp. 435-437
  4. restricted access
  1. My ‘Mobile Hydromural’
  2. Gyula Kosice
  3. pp. 437-438
  4. restricted access
  1. Computer Program for Artists: ART I
  2. Katherine Nash, Richard H. Williams
  3. pp. 439-442
  4. restricted access
  1. Sonovision: A Visual Display of Sound
  2. S. R. Wagler
  3. pp. 443-445
  4. restricted access
  1. Science and the New Culture
  2. Malcolm S. Adiseshiah
  3. pp. 447-451
  4. restricted access
  1. La science et la nouvelle culture
  2. Malcolm S. Adiseshiah
  3. pp. 452-457
  4. restricted access
  1. A Conversation with Josef Albers
  2. John H. Holloway, John A. Weil
  3. pp. 459-464
  4. restricted access
  1. Contre le style
  2. p. 465
  3. restricted access
  1. The End of Style
  2. pp. 465-466
  3. restricted access
  1. Letter of Thomas Wilfred to J. Handel Evans
  2. p. 467
  3. restricted access
  1. Terminology = Terminologie
  2. pp. 469-470
  3. restricted access
  1. A Portrait of Isaac Newton by Frank E. Manuel (review)
  2. Grace Marmor Spruch
  3. pp. 471-474
  4. restricted access
  1. Grammaire élémentaire de l’image (Elementary Grammar of the Image) by Albert Plécy (review)
  2. David Haberstich
  3. pp. 474-475
  4. restricted access
  1. Mathématique de l’esthétique by J. C. Moineau (review)
  2. François Le Lionnais
  3. pp. 475-476
  4. restricted access
  1. The Origin of Intellect: Piaget’s Theory by John L. Phillips, Jr. (review)
  2. Jacques Mandelbrojt
  3. pp. 476-477
  4. restricted access
  1. The Story of Art by E. H. Gombrich (review)
  2. Norman Narotzky
  3. p. 477
  4. restricted access
  1. The Content of Watercolor by Edward Reep (review)
  2. John Elderfield
  3. pp. 477-478
  4. restricted access
  1. Art Povera ed. by Germano Celant (review)
  2. Henry P. Raleigh
  3. p. 478
  4. restricted access
  1. Studio and Art-room Techniques by John FitzMaurice Mills (review)
  2. Norman Narotzky
  3. pp. 478-479
  4. restricted access
  1. Organising the Arts by Peter F. Broxis, and: The Picture Collection, Subject Headings by William J. Dane (review)
  2. Gabriel P. Weisberg
  3. p. 479
  4. restricted access
  1. Catalogue of Reproductions of Paintings—1860 to 1969 (review)
  2. p. 480
  3. restricted access
  1. International Science-Art News = Art et science: Nouvelles de l’etranger
  2. John H. Holloway
  3. pp. 481-488
  4. restricted access
  1. Letters = Lettres
  2. Raoul Michau
  3. pp. 489-494
  4. restricted access
  1. Books Received
  2. p. 480
  3. restricted access