1. Synchronized Music: The Influence of Pantomime on Moving Pictures
  2. Gillian B. Anderson
  3. pp. 3-39
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  1. Hitchcock’s Blackmail and the Threat of Recorded Sound
  2. Matthew McDonald
  3. pp. 40-51
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  1. For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
  2. Reba A. Wissner
  3. pp. 52-70
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  1. About the Authors
  2. pp. 71-72
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