In this Issue

Table of Contents

Special-Issue Essays

Editorial Comment: TransIndigenous Performance

Ric Knowles
pp. ix-xv
DOI: https://doi.org/10.1353/tj.2015.0089
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Performing Serpent Mound: A Trans-Indigenous Meditation

Chadwick Allen
pp. 391-411
DOI: https://doi.org/10.1353/tj.2015.0096
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Discarding Sympathy, Disrupting Catharsis: The Mortification of Indigenous Flesh as Survivance-Intervention

Jill Carter
pp. 413-432
DOI: https://doi.org/10.1353/tj.2015.0103
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Shakespeare among the “Salvages”: The Bard in Red Atlantic Performance

Jace Weaver
pp. 433-443
DOI: https://doi.org/10.1353/tj.2015.0109
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A “Harmony of Frenzy”: Māori in Manhattan, 1909–10

Marianne Schultz
pp. 445-464
DOI: https://doi.org/10.1353/tj.2015.0074
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Oceanic Imaginaries and Waterworlds: Vaka Moana on the Sea and Stage

Diana Looser
pp. 465-486
DOI: https://doi.org/10.1353/tj.2015.0080
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Hula for the Future: Patrick Makuakāne and the Hula Mua “Salva Mea”

Angeline Shaka
pp. 487-501
DOI: https://doi.org/10.1353/tj.2015.0086
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A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance

Rachael Swain
pp. 503-521
DOI: https://doi.org/10.1353/tj.2015.0093
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Performance Reviews

Daniel Sack, Editor

Emiliano and the Train to the Underworld [Emiliano Y el Tren al Inframundo] dir. by Miguel Ángel Gutiérrez, and: The Beast: Stories that Migrate, Stories with Faces [La Bestia: Historias Que Migran, Historias Con Caras] by Ana Paula Uruñuela (review)

Ana Elena Puga
pp. 523-527
DOI: https://doi.org/10.1353/tj.2015.0100
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My Name is Gary Cooper by Victor Rodger (review)

Diana Looser
pp. 528-530
DOI: https://doi.org/10.1353/tj.2015.0107
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Girl on a Corner by Victor Rodger, and: Marama dir. by Nina Nawalowalo, and: Room 1334 by Mika, and: Te Matatini—National Kapa Haka Festival (review)

Sharon Mazer
pp. 530-532
DOI: https://doi.org/10.1353/tj.2015.0072
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Tekcno Powwow III by Bently Spang (review)

Cecilia J. Aragón
pp. 533-535
DOI: https://doi.org/10.1353/tj.2015.0078
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Kampala International Theatre Festival (review)

Julia Goldstein
pp. 535-540
DOI: https://doi.org/10.1353/tj.2015.0084
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La Vida es Sueño by Pedro Calderón de la Barca (review)

Jimmy A. Noriega
pp. 540-541
DOI: https://doi.org/10.1353/tj.2015.0091
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Musical Woyzeck by Georg Büchner (review)

Claire Maria Chambers, Dong Hwan Alex Chun
pp. 541-543
DOI: https://doi.org/10.1353/tj.2015.0098
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Searching for the Source and Asking the Way dir. by Pei Yanling (review)

Josh Stenberg
pp. 544-546
DOI: https://doi.org/10.1353/tj.2015.0105
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The Tempest by William Shakespeare (review)

Jieun Lee
pp. 546-548
DOI: https://doi.org/10.1353/tj.2015.0111
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Morbror Vanja (Uncle Vanya) by Anton Chekhov (review)

Bryce Lease
pp. 548-550
DOI: https://doi.org/10.1353/tj.2015.0076
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Interferences International Theatre Festival (review)

Jozefina Komporaly
pp. 550-554
DOI: https://doi.org/10.1353/tj.2015.0082
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Threesome by Yussef El Guindi (review)

Michael Malek Najjar
pp. 554-556
DOI: https://doi.org/10.1353/tj.2015.0088
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Zealot by Theresa Rebeck (review)

Jocelyn L. Buckner
pp. 556-558
DOI: https://doi.org/10.1353/tj.2015.0095
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Native Guard by Natasha Trethewey (review)

Shondrika Moss-Bouldin
pp. 558-560
DOI: https://doi.org/10.1353/tj.2015.0102
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Father Comes Home from the Wars (Parts 1, 2 & 3) by Suzan-Lori Parks (review)

Laura R. Dougherty
pp. 560-563
DOI: https://doi.org/10.1353/tj.2015.0108
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Allegro by Richard Rodgers and Oscar Hammerstein II (review)

Bradley Rogers
pp. 563-565
DOI: https://doi.org/10.1353/tj.2015.0073
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Book Reviews

Ryan Claycomb, Editor

Research Theatre, Climate Change, and the Ecocide Project: A Casebook by Una Chaudhuri and Shonni Enelow (review)

Theresa May
pp. 567-568
DOI: https://doi.org/10.1353/tj.2015.0079
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Performance on Behalf of the Environment ed. by Richard D. Besel and Jnan A. Blau. Lanham (review)

Wendy Arons
pp. 568-569
DOI: https://doi.org/10.1353/tj.2015.0085
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Salmon is Everything: Communitybased Theatre in the Klamath Watershed by Theresa May (review)

Bronwyn Preece
pp. 569-571
DOI: https://doi.org/10.1353/tj.2015.0092
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Performing Environments: Sitespecificity in Medieval and Early Modern English Drama ed. by Susan Bennett and Mary Polito (review)

Robert W. Barrett Jr.
pp. 571-572
DOI: https://doi.org/10.1353/tj.2015.0099
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Shakespeare’s Staged Spaces and Playgoers’ Perceptions by Darlene Farabee (review)

Adam Sheaffer
pp. 572-573
DOI: https://doi.org/10.1353/tj.2015.0106
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Shakespeare and the Culture of Romanticism ed. by Joseph M. Ortiz (review)

Dan Venning
pp. 573-575
DOI: https://doi.org/10.1353/tj.2015.0071
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On Flinching: Theatricality and Scientific Looking from Darwin to Shell Shock by Tiffany Watt Smith (review)

Stanton B. Garner Jr.
pp. 575-576
DOI: https://doi.org/10.1353/tj.2015.0077
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Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others by Emma Willis (review)

Scott Magelssen
pp. 576-577
DOI: https://doi.org/10.1353/tj.2015.0083
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Performing Religion in Public ed. by Claire Maria Chambers, Simon W. du Toit, and Joshua Edelman (review)

Roy Brooks-Delphin
pp. 577-579
DOI: https://doi.org/10.1353/tj.2015.0090
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Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change by Dani Snyder-Young (review)

John Fletcher
pp. 579-580
DOI: https://doi.org/10.1353/tj.2015.0097
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Performing Policy: How Contem-Porary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century by Paul Bonin-Rodriguez (review)

Sonja Arsham Kuftinec
pp. 580-581
DOI: https://doi.org/10.1353/tj.2015.0104
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Performance, Identity, and Immigration Law: A Theatre of Undocumentedness by Gad Guterman (review)

Christopher Goodson
pp. 582-583
DOI: https://doi.org/10.1353/tj.2015.0110
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The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)

Kareem Khubchandani
pp. 583-584
DOI: https://doi.org/10.1353/tj.2015.0075
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The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo, and: Pop Goes the Avant-Garde: Experimental Theater in Contemporary China by Rossella Ferrari (review)

Emily E. Wilcox
pp. 584-586
DOI: https://doi.org/10.1353/tj.2015.0081
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Dance on its Own Terms: Histories and Methodologies ed. by Melanie Bales and Karen Eliot (review)

Ariel Nereson
pp. 586-587
DOI: https://doi.org/10.1353/tj.2015.0087
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

David Bisaha
pp. 587-589
DOI: https://doi.org/10.1353/tj.2015.0094
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Books Received

pp. 590-600
DOI: https://doi.org/10.1353/tj.2015.0101
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