1. Theologies of the Wild: Contemporary Landscape Writing
  2. Neal Alexander
  3. pp. 1-19
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  1. The Spatiotemporal Topography of Virginia Woolf’s Mrs. Dalloway: Capturing Britain’s Transition to a Relative Modernity
  2. Paul Tolliver Brown
  3. pp. 20-38
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  1. Beyond Modernist Shock: Virginia Woolf’s Absorbing Atmosphere
  2. Anna Jones Abramson
  3. pp. 39-56
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  1. An Epic of Atmosphere: Rebecca West, Black Lamb, and Reflex
  2. Timothy Wientzen
  3. pp. 57-73
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  1. “Always the same stairs, always the same room”: The Uncanny Architecture of Jean Rhys’s Good Morning, Midnight
  2. Emma Zimmerman
  3. pp. 74-92
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  1. Claims of Heritage: Restoring the English Country House in Wide Sargasso Sea
  2. Katherine C. Henderson
  3. pp. 93-109
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  1. Christopher Isherwood’s Bathroom
  2. Ian Scott Todd
  3. pp. 110-125
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  1. Family Catastrophe and the Making of Taiwanese Modernity
  2. Grace Hui-chuan Wu
  3. pp. 126-146
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  1. Class and Anticolonial Politics in Harold Pinter and Joseph Losey’s The Servant
  2. Rebecca Dyer
  3. pp. 147-167
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  1. Prehistories of the Postcolonial: On Philosophy, Politics, and Polemic in Timothy Brennan’s Borrowed Light
  2. Avram Alpert
  3. pp. 168-177
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  1. Vorticism Revitalized
  2. Arthur J. Sabatini
  3. pp. 178-183
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  1. Whose Streets? Our Streets!: Women’s Poetry and the City
  2. Sarah Dowling
  3. pp. 184-187
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  1. Innocents Abroad?: Creative Ventures into Lands of Wonder
  2. Martina Kolb
  3. pp. 188-191
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  1. Making Modernism Fit
  2. Randi Saloman
  3. pp. 192-196
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