1. The Theme of Lay Clænnyss in Ælfric’s Letters to Sigeweard, Sigefyrð, and Brother Edward
  2. Shannon O. Ambrose
  3. pp. 5-21
  4. DOI: 10.1353/mdi.2014.0003
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  1. Drama without Performance and Two Old English Anomalies
  2. Francis J. Finan
  3. pp. 23-50
  4. DOI: 10.1353/mdi.2014.0005
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  1. “Look to Your Calling”: Reclusion and Resistance in Medieval Anchoritic Culture
  2. Joshua Easterling
  3. pp. 51-82
  4. DOI: 10.1353/mdi.2014.0007
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  1. Picturing Christ as Surgeon and Patient in British Library MS Sloane 1977
  2. Karl Whittington
  3. pp. 83-115
  4. DOI: 10.1353/mdi.2014.0009
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  1. Sodomites are from Mars: Deconstructing Rhetoric in the Commedia
  2. Joel Salvatore Pastor
  3. pp. 117-150
  4. DOI: 10.1353/mdi.2014.0000
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  1. “A Gallehault was the Book”: Francesca da Rimini and the Manesse Minnesanger Manuscript
  2. Elena Lombardi
  3. pp. 151-176
  4. DOI: 10.1353/mdi.2014.0001
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  1. Ancestral Memory and Petrarch’s De Remediis utriusque Fortunae in Carrara Padua
  2. Sarah R. Kyle
  3. pp. 177-192
  4. DOI: 10.1353/mdi.2014.0002
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  1. Poverty, Property, and the Self in the Late Middle Ages: The Case of Chaucer’s Griselda
  2. María Bullón-Fernández
  3. pp. 193-226
  4. DOI: 10.1353/mdi.2014.0004
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  1. “The Treasure Above All Treasures”: Red Mouths, Medieval Fetishes, and the Limits of Modern Interpretation
  2. Olga V. Trokhimenko
  3. pp. 227-253
  4. DOI: 10.1353/mdi.2014.0006
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  1. Johannes Fontana’s Drawing for a Castellus Umbrarum, Udine or Padua, c. 1415–20
  2. Bennett Gilbert
  3. pp. 255-277
  4. DOI: 10.1353/mdi.2014.0008
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  1. Introduction
  2. Dana E. Stewart
  3. pp. 1-4
  4. DOI: 10.1353/mdi.2014.0010
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