In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 36,Number 2, 2015Table of Contents
pp. 150-175
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View When Smitty Stopped Pretending to Snore: O’Neill Scholarship and the Problem of Copy-Text in the Library of America Complete Plays
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When Smitty Stopped Pretending to Snore: O’Neill Scholarship and the Problem of Copy-Text in the Library of America Complete Plays
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pp. 194-211
pp. 212-225
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View The Great God Pan/Brown: Shared Origins and Theme of A Victorian Horror Classic and Eugene O’Neill’s Masked Play
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The Great God Pan/Brown: Shared Origins and Theme of A Victorian Horror Classic and Eugene O’Neill’s Masked Play
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pp. 226-228
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View Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)
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Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)
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| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2015-10-02 |
| Open Access | No |
