1. Front Porch
  2. Harry L. Watson
  3. pp. 1-4
  4. DOI: 10.1353/scu.2015.0027
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  1. Michael O’Brien: 1948–2015
  2. p. 4
  3. DOI: 10.1353/scu.2015.0038
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  1. “You Have to Call Me the Way You See Me”
  2. Johnny Cash
  3. pp. 5-17
  4. DOI: 10.1353/scu.2015.0030
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  1. “You Sleep with None and You Wake with Ghosts”: Emmylou Harris as the Widow of Nashville
  2. Marcus Desmond Harmon
  3. pp. 18-34
  4. DOI: 10.1353/scu.2015.0032
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  1. Southern Borderlands: Music, Migrant Life, and Scenes of a “Mexican South”
  2. Alex E. Chávez
  3. pp. 35-52
  4. DOI: 10.1353/scu.2015.0034
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  1. Helping Pave the Road to FAME: Behind the Music of Muscle Shoals
  2. Christopher Reali
  3. pp. 53-74
  4. DOI: 10.1353/scu.2015.0036
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  1. “Nice to Meet You, Three, Four”: New Orleans Musicians and the Attractions of Community
  2. Michael Urban
  3. pp. 75-84
  4. DOI: 10.1353/scu.2015.0024
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  1. Rebel Rock: Lynyrd Skynyrd, Normaal, and Regional Identity
  2. Maarten Zwiers
  3. pp. 85-102
  4. DOI: 10.1353/scu.2015.0026
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  1. John Elkington and the Remaking of Beale Street
  2. Cathryn Stout
  3. pp. 103-110
  4. DOI: 10.1353/scu.2015.0029
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  1. The Saga of Ella May Wiggins
  2. Annette Cox
  3. pp. 111-115
  4. DOI: 10.1353/scu.2015.0031
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  1. A Black Man Tells His Son the Whole Story
  2. Lenard D. Moore
  3. pp. 116-117
  4. DOI: 10.1353/scu.2015.0033
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  1. B.B. King: September 16, 1925–May 14, 2015
  2. William R. Ferris
  3. pp. 118-120
  4. DOI: 10.1353/scu.2015.0035
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  1. Guy Carawan: July 27, 1927–May 2, 2015
  2. Michael K. Honey
  3. pp. 121-123
  4. DOI: 10.1353/scu.2015.0037
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  1. Southern Side Trip
  2. Aaron Smithers
  3. pp. 124-125
  4. DOI: 10.1353/scu.2015.0025
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  1. About the Contributors
  2. p. 125
  3. DOI: 10.1353/scu.2015.0028
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