1. Art and Atoms: A Chemical Paradox
  2. Tami I. Spector
  3. p. 404
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  1. The Semiotics of the Moon as Fantasy and Destination
  2. Michael Betancourt
  3. pp. 409-418
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  1. Model & Metaphor: A Case Study of a New Methodology for Art/Science Residencies
  2. Nola Farman, Matt Barr, Angela Philp, Miranda Lawry, Warwick Belcher, Paul Dastoor
  3. pp. 419-422
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  1. Egocentric Perspective: Depicting the Body from Its Own Point of View
  2. Robert Pepperell
  3. pp. 424-429
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  1. Microbioenergy Theaters
  2. Mick Lorusso
  3. pp. 430-433
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  1. Drawing in Mathematics: From Inverse Vision to the Liberation of Form
  2. Gemma Anderson, Dorothy Buck, Tom Coates, Alessio Corti
  3. pp. 439-448
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  1. Creative Craft-Based Textile Activity in the Age of Digital Systems and Practices
  2. Gail Kenning
  3. pp. 450-456
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  1. Lost in Edition: Did Leonardo da Vinci Slip Up?
  2. Dirk Huylebrouck
  3. pp. 458-464
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  1. Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 1
  2. Angus Forbes
  3. p. 465
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  1. DataRemix: Designing the Datamade
  2. Ruth West, Roger Malina, John Lewis, Scot Gresham-Lancaster, Alejandro Borsani, Brian Merlo, Lifan Wang
  3. pp. 466-467
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  1. Thermal Image
  2. Barry Moon, Hilary Harp
  3. p. 468
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  1. The Art/Science Curriculum in the Classroom and in the Cloud
  2. Adrienne Klein
  3. p. 469
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  1. Using Creative Process to Guide Integrated Art and Engineering Courses
  2. Jill Fantauzza
  3. pp. 470-471
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  1. Art Curriculum in Partnership with Canadian Physics Lab
  2. Ingrid Koenig
  3. pp. 472-473
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  1. The Transdisciplinary Cloud Curriculum
  2. Paul Thomas
  3. pp. 474-475
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  1. Physical Aesthetics: An Introductory Physics Course Through Metaphor
  2. Steven Zides
  3. p. 476
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  1. Top-Rated LABS Abstracts 2014
  2. Sheila Pinkel
  3. p. 477
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  1. The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition
  2. Silvia Casini
  3. p. 477
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  1. Three-Dimensional Poetic Natures
  2. Jayne Fenton-Keane
  3. p. 478
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  1. Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004–2009
  2. Aleksandra Kaminska
  3. p. 478
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  1. Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory
  2. Nicholas A. Knouf
  3. p. 479
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  1. Languages of Russian and Chinese Narrative Video Art
  2. Victoria Marchenkova
  3. p. 479
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  1. From Networked Art to Programmed Drifts: “Art as Experience” Today
  2. Karen O’Rourke
  3. p. 480
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  1. Sonified Freaks and Sounding Prostheses: Sonic Representation of Bodies in Performance Art
  2. Daniël Ploeger
  3. p. 480
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  1. The Optics of Anatomy and Light: A Studio-based Investigation of the Construction of Anatomical Images
  2. Nina Sellars
  3. p. 481
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  1. Axial: A Sound Art Work of an Oceanographic Expedition
  2. Hugo Solis
  3. p. 481
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  1. Transactions
  2. Ernest Edmonds
  3. p. 483
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  1. Animating Fermi—A Collaboration between Art Students and Astronomers
  2. Laurence Arcadias, Robin Corbet
  3. pp. 484-485
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  1. Visualizing Biological Complexity in Cephalopod Skin: A Synergy of Art and Science Technologies
  2. Elizabeth Kripke, Stephen Senft, Dmitry Mozzherin, Roger Hanlon
  3. pp. 486-487
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  1. Susan Goethel Campbell: Field Guide (review)
  2. Giovanna Costantini
  3. p. 489
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  1. To Tell the Truth: Working for Change: Documenting Hard Times (1929–1941) dir. by Calvin Skaggs (review)
  2. Amy Ione
  3. pp. 489-491
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  1. Leonardo Da Vinci: Anatomist by Martin Clayton, Ron Philo (review)
  2. Amy Ione
  3. p. 492
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  1. Making Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature by Gregory F. Tague (review)
  2. Kathryn Francis
  3. pp. 493-494
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  1. Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism by Gordon Hughes (review)
  2. Michael Punt
  3. pp. 494-496
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  1. This Changes Everything: Capitalism Vs. the Climate by Naomi Klein (review)
  2. George Gessert
  3. pp. 496-497
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  1. Modernism and its Merchandise: The Spanish Avant-Garde and Material Culture, 1920–1930 by Juli Highfill (review)
  2. Jan Baetens
  3. pp. 497-498
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  1. Idolatry and Infinity: Of Art, Math, and God by David R. Topper (review)
  2. Phil Dyke
  3. pp. 498-499
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  1. Science and Art: The Painted Surface ed. by Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani (review)
  2. Brian Reffin Smith
  3. p. 499
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  1. The Conscious Mind by Zoltan Torey (review)
  2. Cecilia Wong
  3. pp. 499-500
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  1. The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels by Sean Cubitt (review)
  2. Rob Harle
  3. p. 500
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  1. Leonardo Reviews Online
  2. pp. 501-502
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