In this Issue

Table of Contents

Editorial

Drake Stutesman
p. 269
restricted access

Valentino’s Lesbianism: Stardom, Spectatorship, and Sexuality in 1920s Hollywood Cinema

Susan Potter
pp. 271-298
DOI: https://doi.org/10.13110/framework.56.2.0271
restricted access

“Use/Abuse/Everyone/Everything”: A Dialogue on LA Plays Itself

Benjamin Halligan, Laura Wilson
pp. 299-322
DOI: https://doi.org/10.13110/framework.56.2.0299
restricted access

Dossier: Geopolitics of Film and Media Theory

Introduction: Film Theory in the Age of Neoliberal Globalization

Masha Salazkina
pp. 325-349
DOI: https://doi.org/10.13110/framework.56.2.0325
restricted access

The Trouble with Theater: Cinema and the Geopolitics of Medium Specificity

Weihong Bao
pp. 350-367
DOI: https://doi.org/10.13110/framework.56.2.0350
restricted access

Eye of the Machine: Itagaki Takao and Debates on New Realism in 1920s Japan

Naoki Yamamoto
pp. 368-387
DOI: https://doi.org/10.13110/framework.56.2.0368
restricted access

Vernacular Modernism, Film Culture, and Moroccan Short Film and Documentary

Peter Limbrick
pp. 388-413
DOI: https://doi.org/10.13110/framework.56.2.0388
restricted access

A Writing Haunted by Cinema: The Film Theories of Three Latin American Fictions

Felipe Pruneda Sentíes
pp. 414-432
DOI: https://doi.org/10.1353/frm.2015.a593748
restricted access

At What Cost “Theory”?: An Economics and Poetics of Uptake

Kay Dickinson
pp. 433-450
DOI: https://doi.org/10.13110/framework.56.2.0433
restricted access

Plasticity and the Global

Bhaskar Sarkar
pp. 451-471
DOI: https://doi.org/10.13110/framework.56.2.0451
restricted access

Film Theory’s Animated Map

Karen Beckman
pp. 472-491
DOI: https://doi.org/10.13110/framework.56.2.0472
restricted access