1. Herbert’s Classical Humanism, Gender, and Reform: Cornelia and Sempronia in Poem 2 of Memoriae Matris Sacrum
  2. Greg Miller
  3. pp. 3-12
  4. DOI: 10.1353/ghj.2013.0078
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  1. “Outstrip Their Cupid”: Family Relations, Aesthetic Anxiety, and Redirected Desire in Herbert’s English Poetry
  2. Christopher Hodgkins
  3. pp. 13-32
  4. DOI: 10.1353/ghj.2013.0080
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  1. George Herbert and Women: How Much Can We Know?
  2. Chauncey Wood
  3. pp. 33-47
  4. DOI: 10.1353/ghj.2013.0082
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  1. George Herbert’s French Connections: Of Books and Brothers
  2. Anne-Marie Miller-Blaise
  3. pp. 48-68
  4. DOI: 10.1353/ghj.2013.0084
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  1. “All in Sport to Geere at Me”: George Herbert and Gerald of Wales on the Welsh Margins
  2. Gina Marie Hurley
  3. pp. 71-83
  4. DOI: 10.1353/ghj.2013.0072
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  1. The Herberts and the Manor of Ribbesford
  2. Ronald W. Cooley
  3. pp. 84-96
  4. DOI: 10.1353/ghj.2013.0074
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  1. Devotional Poetry and the Temple of God
  2. Achsah Guibbory
  3. pp. 99-116
  4. DOI: 10.1353/ghj.2013.0077
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  1. “Mend My Ryme”: Resolutions in Psalms, Sonnets, and Herbert’s “The Church”
  2. Debra Rienstra
  3. pp. 117-130
  4. DOI: 10.1353/ghj.2013.0079
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  1. Understanding Mystical Theology in George Herbert’s “Prayer” (I)
  2. Andrew James Harvey
  3. pp. 131-145
  4. DOI: 10.1353/ghj.2013.0081
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  1. “Double Motion”: Herbert and Seventeenth-Century Polyphonic Practice
  2. Simon Jackson
  3. pp. 146-161
  4. DOI: 10.1353/ghj.2013.0083
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  1. George Herbert, Privative Evil, and Philip Massinger’s The City Madam
  2. Arthur Lindley
  3. pp. 162-177
  4. DOI: 10.1353/ghj.2013.0071
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  1. With Patriarchs and Prophets: Herbert in Vaughan’s Mount of Olives
  2. Jonathan Nauman
  3. pp. 178-192
  4. DOI: 10.1353/ghj.2013.0073
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  1. “I Build My Bellowing Ark”: Wounded Speech in George Herbert and Dylan Thomas
  2. Daniel Strait
  3. pp. 193-206
  4. DOI: 10.1353/ghj.2013.0076
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  1. Introduction: “Make One Place Ev’ry Where”: Herbert and Local Habitation
  2. Christopher Hodgkins
  3. pp. v-x
  4. DOI: 10.1353/ghj.2013.0075
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