Articles

  1. “The Naked Fellow”: Performing Feral Reversion in King Lear
  2. Julián Jiménez Heffernan
  3. pp. 133-162
  4. DOI: 10.1353/cdr.2015.0023
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  1. Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer
  2. Nicole R. Rice
  3. pp. 163-189
  4. DOI: 10.1353/cdr.2015.0025
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  1. Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views
  2. Ellen Moll
  3. pp. 191-224
  4. DOI: 10.1353/cdr.2015.0014
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Reviews

  1. Emulation on the Shakespearean Stage by Vernon Guy Dickson (review)
  2. Marissa Greenberg
  3. pp. 225-228
  4. DOI: 10.1353/cdr.2015.0016
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  1. Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)
  2. Fran Teague
  3. pp. 228-230
  4. DOI: 10.1353/cdr.2015.0018
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  1. Domesticating Ibsen for Italy: Enrico and Icilio Polese’s Ibsen Campaign by Giuliano D’Amico (review)
  2. Patricia Gaborik
  3. pp. 230-233
  4. DOI: 10.1353/cdr.2015.0020
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  1. Caryl Churchill by Mary Luckhurst (review)
  2. Verna A. Foster
  3. pp. 233-236
  4. DOI: 10.1353/cdr.2015.0022
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  1. New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon (review)
  2. Meredith A. Conti
  3. pp. 236-239
  4. DOI: 10.1353/cdr.2015.0024
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  1. Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)
  2. Jenna Soleo-Shanks
  3. pp. 240-242
  4. DOI: 10.1353/cdr.2015.0013
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  1. Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642 by Jessica Dyson (review)
  2. Heather Hirschfeld
  3. pp. 243-246
  4. DOI: 10.1353/cdr.2015.0015
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  1. The Cambridge Introduction to Tom Stoppard by William W. Demastes (review)
  2. David Kornhaber
  3. pp. 246-249
  4. DOI: 10.1353/cdr.2015.0017
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  1. Brief Notices
  2. pp. 251-254
  3. DOI: 10.1353/cdr.2015.0019
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  1. Contributors
  2. pp. 255-257
  3. DOI: 10.1353/cdr.2015.0021
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