In this Issue

Table of Contents

“The Naked Fellow”: Performing Feral Reversion in King Lear

Julián Jiménez Heffernan
pp. 133-162
DOI: https://doi.org/10.1353/cdr.2015.0023
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Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer

Nicole R. Rice
pp. 163-189
DOI: https://doi.org/10.1353/cdr.2015.0025
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Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views

Ellen Moll
pp. 191-224
DOI: https://doi.org/10.1353/cdr.2015.0014
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Emulation on the Shakespearean Stage by Vernon Guy Dickson (review)

Marissa Greenberg
pp. 225-228
DOI: https://doi.org/10.1353/cdr.2015.0016
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Dark Matter: Invisibility in Drama, Theater, and Performance by Andrew Sofer (review)

Fran Teague
pp. 228-230
DOI: https://doi.org/10.1353/cdr.2015.0018
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Domesticating Ibsen for Italy: Enrico and Icilio Polese’s Ibsen Campaign by Giuliano D’Amico (review)

Patricia Gaborik
pp. 230-233
DOI: https://doi.org/10.1353/cdr.2015.0020
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Caryl Churchill by Mary Luckhurst (review)

Verna A. Foster
pp. 233-236
DOI: https://doi.org/10.1353/cdr.2015.0022
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New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon (review)

Meredith A. Conti
pp. 236-239
DOI: https://doi.org/10.1353/cdr.2015.0024
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Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)

Jenna Soleo-Shanks
pp. 240-242
DOI: https://doi.org/10.1353/cdr.2015.0013
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Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642 by Jessica Dyson (review)

Heather Hirschfeld
pp. 243-246
DOI: https://doi.org/10.1353/cdr.2015.0015
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Brief Notices

pp. 251-254
DOI: https://doi.org/10.1353/cdr.2015.0019
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The Cambridge Introduction to Tom Stoppard by William W. Demastes (review)

David Kornhaber
pp. 246-249
DOI: https://doi.org/10.1353/cdr.2015.0017
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Contributors

pp. 255-257
DOI: https://doi.org/10.1353/cdr.2015.0021
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