1. Playing Home: Videogame Experiences between Narrative and Ludic Interests
  2. Marco Caracciolo
  3. pp. 231-251
  4. DOI: 10.1353/nar.2015.0022
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  1. Vitafiction as a Mode of Self-Fashioning: The Case of Michael J. Fox in Curb Your Enthusiasm
  2. Louise Brix Jacobsen
  3. pp. 252-270
  4. DOI: 10.1353/nar.2015.0016
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  1. Feeling With Real Others: Narrative Empathy in the Autobiographies of Doris Lessing and Alison Bechdel
  2. Leah Anderst
  3. pp. 271-290
  4. DOI: 10.1353/nar.2015.0017
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  1. Realism’s Operative Paradox: Character Autonomy vs. Authorial Construction in Middlemarch
  2. Maria Su Wang
  3. pp. 291-311
  4. DOI: 10.1353/nar.2015.0018
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  1. The Behaviorist Character: Action without Consciousness in Melville’s “Bartleby”
  2. Hannah Walser
  3. pp. 312-332
  4. DOI: 10.1353/nar.2015.0019
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  1. Successfully Navigating the Minefields and Pitfalls of Joyce Scholarship: Kevin Birmingham, The Most Dangerous Book:
  2. Daniel R. Schwarz
  3. pp. 333-340
  4. DOI: 10.1353/nar.2015.0020
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  1. The Banished: Aesthetic Exclusions in Narrative Nonfiction
  2. Kevin Birmingham
  3. pp. 341-348
  4. DOI: 10.1353/nar.2015.0021
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  1. Aesthetic Inclusion in Narrative Nonfiction: The Return of the Banished and Repressed
  2. Daniel R. Schwarz
  3. pp. 349-355
  4. DOI: 10.1353/nar.2015.0023
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