In this Issue

Table of Contents

From the Editor

Kathy Foley
p. v
DOI: https://doi.org/10.1353/atj.2015.0045
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Special Issue Section: Women in Asian Theatre

Introduction: Women in Asian Theatre: Conceptual, Political, and Aesthetic Paradigms

Arya Madhavan
pp. 345-355
DOI: https://doi.org/10.1353/atj.2015.0051
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Special Issue Articles

The Ronggeng, the Wayang, the Wali, and Islam: Female or Transvestite Male Dancers-Singers-Performers and Evolving Islam in West Java

Kathy Foley
pp. 356-386
DOI: https://doi.org/10.1353/atj.2015.0057
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Onna Mono: The “Female Presence” on the Stage of the All-Male Traditional Japanese Theatre

Galia Todorova Gabrovska
pp. 387-415
DOI: https://doi.org/10.1353/atj.2015.0027
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Lokhon Luang, the Cambodian Court Theatre: Toward a Decline of Women’s Supremacy?

Suppya Hélène Nut
pp. 416-439
DOI: https://doi.org/10.1353/atj.2015.0033
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From Private Zashiki to the Public Stage: Female Spaces in Early Twentieth-Century Nō

Barbara Geilhorn
pp. 440-463
DOI: https://doi.org/10.1353/atj.2015.0038
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Women in Balinese Topeng: Voices, Reflections, and Interactions

Margaret Coldiron, Carmencita Palermo, Tiffany Strawson
pp. 464-492
DOI: https://doi.org/10.1353/atj.2015.0043
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Women in Indian Puppetry: Negotiating Traditional Roles and New Possibilities

Claudia Orenstein
pp. 493-517
DOI: https://doi.org/10.1353/atj.2015.0049
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Women in Revolutionary Theatre: IPTA, Labor, and Performance

Prarthana Purkayastha
pp. 518-535
DOI: https://doi.org/10.1353/atj.2015.0055
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Pritham Chakravarthy: Performing Aravanis’ Life Stories

Kristen Rudisill
pp. 536-555
DOI: https://doi.org/10.1353/atj.2015.0025
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Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River

Iris H. Tuan
pp. 556-565
DOI: https://doi.org/10.1353/atj.2015.0031
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Special Issue Performance Reviews

A Fairy in the Wall dir. by Sohn Jin-chaek (review)

Alyssa Kim
pp. 566-569
DOI: https://doi.org/10.1353/atj.2015.0036
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Much Ado About Nothing dir. by Iqbal Khan (review)

Sita Thomas
pp. 570-572
DOI: https://doi.org/10.1353/atj.2015.0041
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Regular Issue Materials

Masks of Sumatra

Karen Kartomi Thomas
pp. 575-597
DOI: https://doi.org/10.1353/atj.2015.0047
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Emerging Scholar Paper

Not-Feminism: A Discourse on the Politics of a Term in Modern Indian Theatre

K. Frances Lieder
pp. 598-618
DOI: https://doi.org/10.1353/atj.2015.0053
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Report

Twenty Years of Suasana: Producing Malay Dance-Drama

Zukifli Mohamad
pp. 619-635
DOI: https://doi.org/10.1353/atj.2015.0023
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Founder of the Field

Rulan Chao Pian 卞赵如兰 (1922–2013)

Emily E. Wilcox
pp. 636-647
DOI: https://doi.org/10.1353/atj.2015.0029
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Reviews

Transnational

In Transit: The Formation of the Colonial East Asian Cultural Sphere by Faye Yuan Kleeman (review)

Emily E. Wilcox
pp. 648-652
DOI: https://doi.org/10.1353/atj.2015.0034
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Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)

Craig Latrell
pp. 652-655
DOI: https://doi.org/10.1353/atj.2015.0039
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The Happy Hsiungs: Performing China and the Struggle for Modernity by Diana Yeh (review)

Wei Feng
pp. 655-658
DOI: https://doi.org/10.1353/atj.2015.0044
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China

Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China by Rossella Ferrari (review)

Tarryn Li-Min Chun
pp. 659-663
DOI: https://doi.org/10.1353/atj.2015.0050
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The Columbia Anthology of Yuan Drama ed. by C. T. Hsia, Wai-Yee Li, and George Kao (review)

David Rolston
pp. 663-671
DOI: https://doi.org/10.1353/atj.2015.0056
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Japan

The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and love in four Plays of the 18th and 19th Centuries by Stanleigh H. Jones (review)

Sarah Johnson
pp. 672-675
DOI: https://doi.org/10.1353/atj.2015.0026
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Henry Black: On Stage in Meiji Japan by Ian McArthur (review)

Matthew W. Shores
pp. 675-680
DOI: https://doi.org/10.1353/atj.2015.0032
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India

Terror and Performance by Rustom Bharucha (review)

Prateek
pp. 681-683
DOI: https://doi.org/10.1353/atj.2015.0037
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The Colonial Staged: Theatre in Colonial Calcutta by Sudipto Chatterjee (review)

Kristen Rudisill
pp. 683-685
DOI: https://doi.org/10.1353/atj.2015.0042
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Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)

Kathy Foley
p. 686
DOI: https://doi.org/10.1353/atj.2015.0048
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The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)

K. Frances Lieder
pp. 687-689
DOI: https://doi.org/10.1353/atj.2015.0054
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Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)

Claire Pamment
pp. 689-692
DOI: https://doi.org/10.1353/atj.2015.0024
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The Natyasastra and the Body in Performance: Essays on Indian Theories of Dance and Drama ed. by Sreenath Nair (review)

Janaki Sasidharan
pp. 692-695
DOI: https://doi.org/10.1353/atj.2015.0030
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Indian Modern Dance, Feminism, and Transnationalism by Prarthana Purkayastha (review)

Kathy Foley
pp. 695-698
DOI: https://doi.org/10.1353/atj.2015.0035
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Globalization, Nationalism and the Text of Kichaka-Vadha: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India. Rakesh Solomon (review)

Kedar A. Kulkarni
pp. 698-702
DOI: https://doi.org/10.1353/atj.2015.0040
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Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam by Katherine C. Zubko (review)

Kathy Foley
pp. 702-703
DOI: https://doi.org/10.1353/atj.2015.0046
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Indonesia

The Dance that Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia by Rachmi Diyah Larasati (review)

Kathy Foley
pp. 704-707
DOI: https://doi.org/10.1353/atj.2015.0052
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Heirs to World Culture: Being Indonesian, 1950–1965 ed. by Jennifer Lindsay and Maya H. T. Liem (review)

Jennifer Goodlander
pp. 707-710
DOI: https://doi.org/10.1353/atj.2015.0058
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Books Received

pp. 711-712
DOI: https://doi.org/10.1353/atj.2015.0028
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