1. The Manifold Singularity of Pearl
  2. Arthur Bahr
  3. pp. 729-758
  4. DOI: 10.1353/elh.2015.0034
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  1. The Outmodedness of Shakespeare’s Sonnets
  2. Emily Vasiliauskas
  3. pp. 759-787
  4. DOI: 10.1353/elh.2015.0026
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  1. Where are the Archers in Shakespeare?
  2. Evelyn Tribble
  3. pp. 789-814
  4. DOI: 10.1353/elh.2015.0028
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  1. “I tell you what mine author says”: A Brief History of Stylometrics
  2. Jeffrey Kahan
  3. pp. 815-844
  4. DOI: 10.1353/elh.2015.0030
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  1. Fittest and Fairest: Aesthetics and Adaptation Before Darwin
  2. Abigail Zitin
  3. pp. 845-868
  4. DOI: 10.1353/elh.2015.0031
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  1. Tristram Shandy’s Strange Loops of Reading
  2. Scott Black
  3. pp. 869-896
  4. DOI: 10.1353/elh.2015.0032
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  1. Making Pornography, 1749–1968: The History of The History of the Human Heart
  2. Kathleen Lubey
  3. pp. 897-935
  4. DOI: 10.1353/elh.2015.0033
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  1. “The Force of my Narrative”: Persuasion, Nation, and Paratext in Walter Scott’s Early Waverley Novels
  2. Maeve Adams
  3. pp. 937-967
  4. DOI: 10.1353/elh.2015.0035
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  1. Reparative Pater: Retreat, Ecstasy, and Reparation in the Writings of Walter Pater
  2. Rachel O’Connell
  3. pp. 969-986
  4. DOI: 10.1353/elh.2015.0027
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  1. Rhyme’s Crimes
  2. Gerard Cohen-Vrignaud
  3. pp. 987-1012
  4. DOI: 10.1353/elh.2015.0029
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