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Table of Contents

  1. On a Lesbian Relationship with Musicology: Suzanne G. Cusick, Sound Effects
  2. Emily Wilbourne
  3. pp. 3-14
  4. DOI: https://doi.org/10.1353/wam.2015.0011
  5. restricted access
  1. One Eyebrow Raised: A Recipe for Movement and Sound
  2. Tomie Hahn
  3. pp. 15-17
  4. DOI: https://doi.org/10.1353/wam.2015.0015
  5. restricted access
  1. Where Is the Jazz in Jazzercise?
  2. Sherrie Tucker
  3. pp. 18-26
  4. DOI: https://doi.org/10.1353/wam.2015.0019
  5. restricted access
  1. “I Am Not Sure We Should Have a Woman in the Position”: Hiring Practices in the Mid-Twentieth-Century American Academy
  2. Judy Tsou
  3. pp. 27-35
  4. DOI: https://doi.org/10.1353/wam.2015.0023
  5. restricted access
  1. Voce Bianca: Purity and Whiteness in British Early Music Vocality
  2. Melanie L. Marshall
  3. pp. 36-44
  4. DOI: https://doi.org/10.1353/wam.2015.0001
  5. restricted access
  1. Singers Behaving Badly: Rivalry, Vengeance, and the Singers of Cardinal Antonio Barberini
  2. Amy Brosius
  3. pp. 45-53
  4. DOI: https://doi.org/10.1353/wam.2015.0005
  5. restricted access
  1. Stage Sisters: Gemma Bellincioni’s Violetta and Eleonora Duse’s Margherita
  2. Annamaria Cecconi, Hero Lotti
  3. pp. 54-61
  4. DOI: https://doi.org/10.1353/wam.2015.0009
  5. restricted access
  1. The Rock and Roll Blues: Gender, Race, and Genre in the Songwriting Career of Rose Marie McCoy
  2. Maureen Mahon
  3. pp. 62-70
  4. DOI: https://doi.org/10.1353/wam.2015.0013
  5. restricted access
  1. “Jolene,” Genre, and the Everyday Homoerotics of Country Music: Dolly Parton’s Loving Address of the Other Woman
  2. Nadine Hubbs
  3. pp. 71-76
  4. DOI: https://doi.org/10.1353/wam.2015.0017
  5. restricted access
  1. National Mothers: Singing a Queer Family Romance for the New South Africa
  2. Nicol Hammond
  3. pp. 77-85
  4. DOI: https://doi.org/10.1353/wam.2015.0021
  5. restricted access
  1. Doin’ Time with Meg and Cris, Thirty Years Later: The Queer Temporality of Pseudonostalgia
  2. Tes Slominski
  3. pp. 86-94
  4. DOI: https://doi.org/10.1353/wam.2015.0025
  5. restricted access
  1. “The Young Ladies Are Here”: Marshallese Transgender Performance and Processes of Transformation
  2. Jessica A. Schwartz
  3. pp. 95-107
  4. DOI: https://doi.org/10.1353/wam.2015.0003
  5. restricted access
  1. Asking for It: Rape, Postfeminism, and Alternative Music in the 1990s
  2. Elizabeth K. Keenan
  3. pp. 108-115
  4. DOI: https://doi.org/10.1353/wam.2015.0007
  5. restricted access
  1. Why We Matter
  2. Bonnie Gordon
  3. pp. 116-124
  4. DOI: https://doi.org/10.1353/wam.2015.0012
  5. restricted access
  1. Rethinking the Intimacy of Voice and Ear: Psychoanalysis and Genital Massage as Treatments for Hysteria
  2. Clara Hunter Latham
  3. pp. 125-132
  4. DOI: https://doi.org/10.1353/wam.2015.0016
  5. restricted access
  1. The Sounds That Know: Synaesthesia, Sexual Trauma, and a Musicological Confession
  2. Jenny Olivia Johnson
  3. pp. 133-141
  4. DOI: https://doi.org/10.1353/wam.2015.0020
  5. restricted access
  1. Echo’s Echo: Subjectivity in Vibrational Ontology
  2. Ryan Dohoney
  3. pp. 142-150
  4. DOI: https://doi.org/10.1353/wam.2015.0024
  5. restricted access
  1. Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence
  2. María Edurne Zuazu
  3. pp. 151-159
  4. DOI: https://doi.org/10.1353/wam.2015.0002
  5. restricted access
  1. Down with Disembodiment; or, Musicology and the Material Turn
  2. Holly Watkins, Melina Esse
  3. pp. 160-168
  4. DOI: https://doi.org/10.1353/wam.2015.0006
  5. restricted access
  1. Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm
  2. Kimberly Francis
  3. pp. 169-177
  4. DOI: https://doi.org/10.1353/wam.2015.0010
  5. restricted access
  1. Ethnomusicology without Erotics
  2. Deborah Wong
  3. pp. 178-185
  4. DOI: https://doi.org/10.1353/wam.2015.0014
  5. restricted access
  1. The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
  2. Julia Grella O’connell
  3. pp. 186-189
  4. DOI: https://doi.org/10.1353/wam.2015.0018
  5. restricted access
  1. Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen by Sherrie Tucker (review)
  2. Yoko Suzuki
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/wam.2015.0022
  5. restricted access
  1. Music and the Skillful Listener: American Women Compose the Natural World by Denise Von Glahn (review)
  2. Rachel Lumsden
  3. pp. 192-196
  4. DOI: https://doi.org/10.1353/wam.2015.0000
  5. restricted access
  1. DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music ed. by Bernardo Attias, Anna Gavanas, and Hillegonda Rietveld (review)
  2. Eva J. Egolf
  3. pp. 204-208
  4. DOI: https://doi.org/10.1353/wam.2015.0004
  5. restricted access
  1. Contributors
  3. pp. 209-214
  4. DOI: https://doi.org/10.1353/wam.2015.0008
  5. restricted access

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