1. On a Lesbian Relationship with Musicology: Suzanne G. Cusick, Sound Effects
  2. Emily Wilbourne
  3. pp. 3-14
  4. DOI: 10.1353/wam.2015.0011
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  1. One Eyebrow Raised: A Recipe for Movement and Sound
  2. Tomie Hahn
  3. pp. 15-17
  4. DOI: 10.1353/wam.2015.0015
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  1. Where Is the Jazz in Jazzercise?
  2. Sherrie Tucker
  3. pp. 18-26
  4. DOI: 10.1353/wam.2015.0019
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  1. “I Am Not Sure We Should Have a Woman in the Position”: Hiring Practices in the Mid-Twentieth-Century American Academy
  2. Judy Tsou
  3. pp. 27-35
  4. DOI: 10.1353/wam.2015.0023
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  1. Voce Bianca: Purity and Whiteness in British Early Music Vocality
  2. Melanie L. Marshall
  3. pp. 36-44
  4. DOI: 10.1353/wam.2015.0001
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  1. Singers Behaving Badly: Rivalry, Vengeance, and the Singers of Cardinal Antonio Barberini
  2. Amy Brosius
  3. pp. 45-53
  4. DOI: 10.1353/wam.2015.0005
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  1. Stage Sisters: Gemma Bellincioni’s Violetta and Eleonora Duse’s Margherita
  2. Annamaria Cecconi, Hero Lotti
  3. pp. 54-61
  4. DOI: 10.1353/wam.2015.0009
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  1. The Rock and Roll Blues: Gender, Race, and Genre in the Songwriting Career of Rose Marie McCoy
  2. Maureen Mahon
  3. pp. 62-70
  4. DOI: 10.1353/wam.2015.0013
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  1. “Jolene,” Genre, and the Everyday Homoerotics of Country Music: Dolly Parton’s Loving Address of the Other Woman
  2. Nadine Hubbs
  3. pp. 71-76
  4. DOI: 10.1353/wam.2015.0017
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  1. National Mothers: Singing a Queer Family Romance for the New South Africa
  2. Nicol Hammond
  3. pp. 77-85
  4. DOI: 10.1353/wam.2015.0021
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  1. Doin’ Time with Meg and Cris, Thirty Years Later: The Queer Temporality of Pseudonostalgia
  2. Tes Slominski
  3. pp. 86-94
  4. DOI: 10.1353/wam.2015.0025
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  1. “The Young Ladies Are Here”: Marshallese Transgender Performance and Processes of Transformation
  2. Jessica A. Schwartz
  3. pp. 95-107
  4. DOI: 10.1353/wam.2015.0003
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  1. Asking for It: Rape, Postfeminism, and Alternative Music in the 1990s
  2. Elizabeth K. Keenan
  3. pp. 108-115
  4. DOI: 10.1353/wam.2015.0007
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  1. Why We Matter
  2. Bonnie Gordon
  3. pp. 116-124
  4. DOI: 10.1353/wam.2015.0012
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  1. Rethinking the Intimacy of Voice and Ear: Psychoanalysis and Genital Massage as Treatments for Hysteria
  2. Clara Hunter Latham
  3. pp. 125-132
  4. DOI: 10.1353/wam.2015.0016
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  1. The Sounds That Know: Synaesthesia, Sexual Trauma, and a Musicological Confession
  2. Jenny Olivia Johnson
  3. pp. 133-141
  4. DOI: 10.1353/wam.2015.0020
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  1. Echo’s Echo: Subjectivity in Vibrational Ontology
  2. Ryan Dohoney
  3. pp. 142-150
  4. DOI: 10.1353/wam.2015.0024
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  1. Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence
  2. María Edurne Zuazu
  3. pp. 151-159
  4. DOI: 10.1353/wam.2015.0002
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  1. Down with Disembodiment; or, Musicology and the Material Turn
  2. Holly Watkins, Melina Esse
  3. pp. 160-168
  4. DOI: 10.1353/wam.2015.0006
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  1. Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm
  2. Kimberly Francis
  3. pp. 169-177
  4. DOI: 10.1353/wam.2015.0010
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  1. Ethnomusicology without Erotics
  2. Deborah Wong
  3. pp. 178-185
  4. DOI: 10.1353/wam.2015.0014
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  1. The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
  2. Julia Grella O’connell
  3. pp. 186-189
  4. DOI: 10.1353/wam.2015.0018
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  1. Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen by Sherrie Tucker (review)
  2. Yoko Suzuki
  3. pp. 189-192
  4. DOI: 10.1353/wam.2015.0022
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  1. Music and the Skillful Listener: American Women Compose the Natural World by Denise Von Glahn (review)
  2. Rachel Lumsden
  3. pp. 192-196
  4. DOI: 10.1353/wam.2015.0000
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  1. Contributors
  2. pp. 209-214
  3. DOI: 10.1353/wam.2015.0008
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