1. From the Editor
  2. Pascale Aebischer
  3. pp. 393-394
  4. DOI: 10.1353/shb.2015.0048
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  1. “Let me twine / Mine arms about that body”: The Queerness of Coriolanus and Recent British Stage Productions
  2. Michael D. Friedman
  3. pp. 395-419
  4. DOI: 10.1353/shb.2015.0051
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  1. Performing Puberty: Fertile Complexions in Shakespeare’s Plays
  2. Victoria Sparey
  3. pp. 441-467
  4. DOI: 10.1353/shb.2015.0041
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  1. Stress and Rhythm in the Speaking of Shakespeare’s Verse: A Performer’s View
  2. Mort Paterson
  3. pp. 469-488
  4. DOI: 10.1353/shb.2015.0043
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  1. Seattle Shakespeare Company, 2013-14 Season
  2. Michael W. Shurgot
  3. pp. 489-500
  4. DOI: 10.1353/shb.2015.0045
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  1. Fixing King John by No Name Players (review)
  2. M. G. Aune
  3. pp. 501-504
  4. DOI: 10.1353/shb.2015.0047
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  1. A Midsummer Night’s Dream by Southern Shakespeare Festival (review)
  2. Molly Hand
  3. pp. 505-508
  4. DOI: 10.1353/shb.2015.0050
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  1. The Rape of Lucrece by Philadelphia Artists’ Collective (review)
  2. Justin B. Hopkins
  3. pp. 509-512
  4. DOI: 10.1353/shb.2015.0037
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  1. Hamlet by Ninagawa Company (review)
  2. Gemma Miller
  3. pp. 512-516
  4. DOI: 10.1353/shb.2015.0040
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  1. The Shoemaker’s Holiday by Royal Shakespeare Company (review)
  2. Eoin Price
  3. pp. 517-521
  4. DOI: 10.1353/shb.2015.0042
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  1. Love’s Labour’s Lost by Royal Shakespeare Company, and: Much Ado About Nothing by Royal Shakespeare Company (review)
  2. Jami Rogers
  3. pp. 521-527
  4. DOI: 10.1353/shb.2015.0044
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  1. The Two Gentlemen of Verona by Fiasco Theater (review)
  2. Marguerite Tassi
  3. pp. 527-530
  4. DOI: 10.1353/shb.2015.0046
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  1. Dido, Queen of Carthage by Globe Young Players (review)
  2. Miranda Fay Thomas
  3. pp. 531-534
  4. DOI: 10.1353/shb.2015.0049
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  1. Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir Stanev (review)
  2. Briony Frost
  3. pp. 535-537
  4. DOI: 10.1353/shb.2015.0052
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