1. Expanding the Role of the Gutter in Nonfiction Comics: Forged Memories in Joe Sacco’s Safe Area Goražde
  2. Charles Acheson
  3. pp. 291-307
  4. DOI: 10.1353/sdn.2015.0036
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  1. Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels
  2. Cyril Camus
  3. pp. 308-318
  4. DOI: 10.1353/sdn.2015.0038
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  1. Serialization and Empire in Neil Gaiman’s the Sandman
  2. Justin Mellette
  3. pp. 319-334
  4. DOI: 10.1353/sdn.2015.0035
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  1. Putting the Graphic in Graphic Novel: P. Craig Russell’s Adaptation of Neil Gaiman’s Coraline
  2. Darren Harris-Fain
  3. pp. 335-345
  4. DOI: 10.1353/sdn.2015.0042
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  1. Loss, Revision, Translation: Re-Membering the Father’s Fragmented Self in Alison Bechdel’s Graphic Memoir Fun Home: A Family Tragicomic
  2. Hélène Tison
  3. pp. 346-364
  4. DOI: 10.1353/sdn.2015.0043
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  1. Embracing Dionysius in Alan Moore’s Swamp Thing
  2. Michael Smith
  3. pp. 365-380
  4. DOI: 10.1353/sdn.2015.0039
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  1. The Monstrous Alchemy of Alan Moore: Promethea as Literacy Narrative
  2. Tracee L. Howell
  3. pp. 381-398
  4. DOI: 10.1353/sdn.2015.0044
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  1. “after the / Unauthor”: Fragmented Author Functions in Tom Phillips’s A Humument
  2. Courtney A. Pfahl
  3. pp. 399-419
  4. DOI: 10.1353/sdn.2015.0037
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  1. “And it Had Everything in it”: Building Stories, Comics, and the Book of the Future
  2. Aaron Kashtan
  3. pp. 420-447
  4. DOI: 10.1353/sdn.2015.0034
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  1. Introduction
  2. Stephen E. Tabachnick
  3. pp. 285-290
  4. DOI: 10.1353/sdn.2015.0041
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  1. Contributors
  3. pp. 448-449
  4. DOI: 10.1353/sdn.2015.0040
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