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In this Issue

Table of Contents

Essays

  1. Shakespeare’s Constructicon
  2. Daniel Shore
  3. pp. 113-136
  4. DOI: https://doi.org/10.1353/shq.2015.0017
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  1. Othello and the Unweaponed City
  2. Andrew Sisson
  3. pp. 137-166
  4. DOI: https://doi.org/10.1353/shq.2015.0020
  5. restricted access
  1. The Image of Both Theaters: Empire and Revelation in Shakespeare’s Antony and Cleopatra
  2. William Junker
  3. pp. 167-187
  4. DOI: https://doi.org/10.1353/shq.2015.0023
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Note

  1. William Dugdale on Shakespeare and His Monument
  2. Tom Reedy
  3. pp. 188-196
  4. DOI: https://doi.org/10.1353/shq.2015.0026
  5. restricted access

Review Essay

  1. The Arden Shakespeare Dictionary Series
  2. Deborah T. Curren-Aquino
  3. pp. 197-208
  4. DOI: https://doi.org/10.1353/shq.2015.0029
  5. restricted access

Book Reviews

  1. The Oxford Shakespeare Richard II ed. by Anthony B. Dawson and Paul Yachnin (review)
  2. Andrew Mattison
  3. pp. 209-212
  4. DOI: https://doi.org/10.1353/shq.2015.0013
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  1. Who Was William Shakespeare?: An Introduction to the Life and Works by Dympna Callaghan (review)
  2. Ian MacInnes
  3. pp. 212-214
  4. DOI: https://doi.org/10.1353/shq.2015.0016
  5. restricted access
  1. 30 Great Myths about Shakespeare by Laurie E. Maguire and Emma Smith (review)
  2. Karen Robertson
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/shq.2015.0019
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  1. Shakespeare and Moral Agency ed. by Michael D. Bristol (review)
  2. Lars Engle
  3. pp. 216-219
  4. DOI: https://doi.org/10.1353/shq.2015.0022
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  1. Shakespeare and the Shrew: Performing the Defiant Female Voice by Anna Kamaralli (review)
  2. Evelyn Gajowski
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/shq.2015.0025
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  1. What You Will: Gender, Contract, and Shakespearean Social Space by Kathryn Schwarz (review)
  2. Miriam Jacobson
  3. pp. 221-224
  4. DOI: https://doi.org/10.1353/shq.2015.0028
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  1. Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection by Angus Fletcher (review)
  2. Howard Marchitello
  3. pp. 224-226
  4. DOI: https://doi.org/10.1353/shq.2015.0012
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  1. Determining the Shakespeare Canon: “Arden of Faversham” and “A Lover’s Complaint” by MacDonald P. Jackson (review)
  2. Eric Rasmussen
  3. pp. 226-229
  4. DOI: https://doi.org/10.1353/shq.2015.0015
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  1. Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant (review)
  2. Alden T. Vaughan
  3. pp. 229-232
  4. DOI: https://doi.org/10.1353/shq.2015.0018
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  1. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley by Mario DiGangi (review)
  2. Daniel Juan Gil
  3. pp. 232-234
  4. DOI: https://doi.org/10.1353/shq.2015.0021
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  1. Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama by Kristen Poole (review)
  2. John Gillies
  3. pp. 235-237
  4. DOI: https://doi.org/10.1353/shq.2015.0024
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  1. Open Subjects: English Renaissance Republicans, Modern Selfhoods, and the Virtue of Vulnerability by James Kuzner, and: The Pain of Reformation: Spenser, Vulnerability, and the Ethics of Masculinity by Joseph Campana (review)
  2. Giulio Pertile
  3. pp. 238-241
  4. DOI: https://doi.org/10.1353/shq.2015.0027
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  1. Shakespeare in Performance: “The Tempest” by Virginia Mason Vaughan (review)
  2. James N. Loehlin
  3. pp. 241-244
  4. DOI: https://doi.org/10.1353/shq.2015.0011
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  1. Shakespeare on Screen: “Macbeth.” ed. by Sarah Hatchuel, Nathalie Vienne-Guerrin, and Victoria Bladen, and: Screen Adaptations: Shakespeare’s “Hamlet.” The Relationship between Text and Film by Samuel Crowl (review)
  2. Keith Jones
  3. pp. 244-247
  4. DOI: https://doi.org/10.1353/shq.2015.0014
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  1. Contributors
  3. pp. 248-250
  4. DOI: https://doi.org/10.1353/shq.2015.0030
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