In this Issue

Table of Contents

Better Pictures Through Chemistry: DuPont and the Fight for the Hollywood Film Stock Market

Luci Marzola
pp. 3-18
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Interentity Communication: The Ontological Imaginary of Early Network Design

Steven Malčić
pp. 19-36
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Pro Tools, Playback, and the Value of Postproduction Sound Labor In Canada

Katherine Quanz
pp. 37-48
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Exhibitors, Technology, and Industrial Journalism in The 1910s and 1920s

Eric Hoyt
pp. 49-53
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Technology and the Trade Press

pp. 49-67
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The Technical Literature of Electric Synchronized Film Sound

Greg Wilsbacher
pp. 53-54
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Studio Sound

K. J. Donnelly
pp. 55-57
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American Cinematographer

Stephen Prince
pp. 57-59
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CinemaEditor

Meraj Dhir
pp. 59-62
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Journal of The Society of Motion Picture and Television Engineers / SMPTE Motion Imaging Journal

Jonah Horwitz
pp. 62-65
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Browsing The Digital Stacks: Exploring Technology Journals On The Media History Digital Library

Derek Long
pp. 65-67
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In Review: The Velvet Light Trap and Technological Change

Leo Rubinkowski
pp. 68-75
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Videoland: Movie Culture at the American Video Store

Maureen Rogers
pp. 76-78
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The Cinema of Sergei Parajanov

Booth Wilson
pp. 79-80
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Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy

Jenny Oyallon-Koloski
pp. 81-83
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Introduction

The Editors
pp. 1-2
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