1. Better Pictures Through Chemistry: DuPont and the Fight for the Hollywood Film Stock Market
  2. Luci Marzola
  3. pp. 3-18
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  1. Interentity Communication: The Ontological Imaginary of Early Network Design
  2. Steven Malčić
  3. pp. 19-36
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  1. Pro Tools, Playback, and the Value of Postproduction Sound Labor In Canada
  2. Katherine Quanz
  3. pp. 37-48
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  1. Exhibitors, Technology, and Industrial Journalism in The 1910s and 1920s
  2. Eric Hoyt
  3. pp. 49-53
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  1. Technology and the Trade Press
  2. pp. 49-67
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  1. The Technical Literature of Electric Synchronized Film Sound
  2. Greg Wilsbacher
  3. pp. 53-54
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  1. Studio Sound
  2. K. J. Donnelly
  3. pp. 55-57
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  1. American Cinematographer
  2. Stephen Prince
  3. pp. 57-59
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  1. CinemaEditor
  2. Meraj Dhir
  3. pp. 59-62
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  1. Journal of The Society of Motion Picture and Television Engineers / SMPTE Motion Imaging Journal
  2. Jonah Horwitz
  3. pp. 62-65
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  1. Browsing The Digital Stacks: Exploring Technology Journals On The Media History Digital Library
  2. Derek Long
  3. pp. 65-67
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  1. In Review: The Velvet Light Trap and Technological Change
  2. Leo Rubinkowski
  3. pp. 68-75
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  1. Videoland: Movie Culture at the American Video Store
  2. Maureen Rogers
  3. pp. 76-78
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  1. The Cinema of Sergei Parajanov
  2. Booth Wilson
  3. pp. 79-80
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  1. Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy
  2. Jenny Oyallon-Koloski
  3. pp. 81-83
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  1. Introduction
  2. The Editors
  3. pp. 1-2
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