In this Issue
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor's "Raising the Wind" comments. The goal of the JJQ is simple: to provide an open, lively, and multidisciplinary forum for the international community of Joyce scholars, students, and enthusiasts.
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The University of Tulsaviewing issue
Volume 50, Number 4, Summer 2013Table of Contents

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View Janus Joyce: A Report on the 22-23 January 2014 presentations “Postal Joyce” by William S. Brockman at New York University and “James Joyce v. Samuel Roth” by Robert Spoo at Columbia University, New York
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Download Janus Joyce: A Report on the 22-23 January 2014 presentations “Postal Joyce” by William S. Brockman at New York University and “James Joyce v. Samuel Roth” by Robert Spoo at Columbia University, New York
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View Joyce and Yeats, Yes: A Report on the VIII James Joyce Italian Foundation Conference in Rome, Italy, 2-3 February 2015
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View Judging Woolsey Judging Obscenity: Elitism, Aestheticism, and the Reasonable Libido in the Ulysses Customs Case
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Shakespeare’s Tremor and Orwell’s Cough: The Medical Lives of Great Writers by John J. Ross (review)

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View Shakespeare’s Tremor and Orwell’s Cough: The Medical Lives of Great Writers by John J. Ross (review)
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View Modernism and Magic: Experiments with Spiritualism, Theosophy, and the Occult by Leigh Wilson (review)
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ISSN | 1938-6036 |
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Print ISSN | 0021-4183 |
Launched on MUSE | 2015-08-27 |
Open Access | No |