1. Reconstructing Silent Voices in Southern Photographic History
  2. Terry Ownby
  3. pp. 11-27
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  1. The Mystery of the Unidentified Daguerreotype Portrait
  2. Levon Register II
  3. pp. 28-31
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  1. Photography, Physiognomy, and Revealed Truth in the Antebellum South
  2. Kent A. McConnell
  3. pp. 32-53
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  1. Richard S. Roberts: Race, Cultural Capital, and Visual Politics
  2. Tonnia L. Anderson
  3. pp. 54-73
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  1. Robert Penn Warren’s Guthrie: Selections from Native Ground
  2. Rob McDonald
  3. pp. 74-103
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  1. The Photographer as Participant Observer: Ed Wheeler and the Gulf Oil Rigs, 1981–1985
  2. Chuck Cook
  3. pp. 104-121
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  1. Settling for the Unsettling
  2. Bradley Phillips
  3. pp. 122-132
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  1. Diasporic Kings and Queens: Lafayette’s Black Mardi Gras Performances in Historical and Hemispheric Contexts
  2. Jodi Skipper, David Wharton
  3. pp. 133-154
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  1. The Joneses: Portraits and Location Stills
  2. John Howard
  3. pp. 155-164
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  1. After Seeing Photos of Iwo Jima
  2. Joe Survant
  3. pp. 166-167
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  1. Delta Dogs by Maude Schuyler Clay (review)
  2. Billy Middleton
  3. pp. 174-176
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  1. Guest Editor’s Introduction
  2. Joseph Millichap
  3. pp. 6-10
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  1. Half Past Autumn: Four poems after photographs by Gordon Parks
  2. Claude Wilkinson
  3. pp. 168-173
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  1. Notes on Contributors
  2. pp. 177-178
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