In this Issue

Table of Contents

Under-Writing Beirut-Mathaf

Lamia Joreige
pp. 2-3
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In Memory: Judith Malina 1926–2015

Richard Schechner, Cindy Rosenthal
pp. 7-16
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Turning toward Trisha Brown: Valiance and Fragility in Beth Gill’s New Work for the Desert

Danielle Goldman
pp. 17-28
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Speaking to Strangers: Sharon Hayes and the Publics of Politics

Vered Maimon
pp. 29-48
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A Theatre of History: 12 Principles

Barbara Kirshenblatt-Gimblett
pp. 49-59
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Of the Eye and of the Hand: Performance in Early Modern Anatomy

Rafael Mandressi, Elizabeth Claire
pp. 60-76
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Cherry Theft under Apartheid: Playback Theatre in the South Hebron Hills of Occupied Palestine

Ben Rivers
pp. 77-90
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“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays

Corey Wakeling
pp. 91-107
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Of Hybrids and the Posthuman: Performer Training in the 21st Century

Frank Camilleri
pp. 108-122
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Towards a Dramaturgy of Robots and Object-Figures

Peter Eckersall
pp. 123-131
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Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1

Helena Grehan
pp. 132-139
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Robotics as New Media Dramaturgy: The Case of the Sleepy Robot

Edward Scheer
pp. 140-149
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The Choreography of Anticipation in Maria Hassabi’s PREMIERE

Victoria Gray
pp. 150-157
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Celebrating Odin Teatret and Holstebro: A 50th Anniversary Celebration

Ian Watson
pp. 157-161
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From There to Here: Canadian Stage’s Production of London Road

Martin Julien
pp. 161-168
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Terror and Performance by Rustom Bharucha (review)

Branislav Jakovljević
pp. 169-172
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Incapacity: Wittgenstein, Anxiety, and Performance Behavior by Spencer Golub (review)

Matthew Goulish
pp. 172-174
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The Black Body in Ecstasy: Reading Race, Reading Pornography by Jennifer C. Nash (review)

Tina Post
pp. 174-176
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Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)

Lindsay Adamson Livingston
pp. 176-178
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Listening in Detail: Performances of Cuban Music by Alexandra T. Vazquez (review)

Shanti Pillai
pp. 178-180
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Rhapsody for the Theatre by Alain Badiou, and: Ahmed the Philosopher: 34 Short Plays for Children & Everyone Else by Alain Badiou, and: The Incident at Antioch: A Tragedy in Three Acts/L’incident d’Antioche: Tragédie en trois actes by Alain Badiou (review)

Ethan Philbrick
pp. 181-184
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More Books

Sarah Krasnow
pp. 184-186
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