In this Issue

Table of Contents

Oddities in Gissing’s The Odd Women

Lawrence Rainey
pp. 227-236
DOI: https://doi.org/10.1353/mod.2015.0031
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Interpretation and Reality: Anthropological Hauntings in The Waste Land

Sheela Banerjee
pp. 237-254
DOI: https://doi.org/10.1353/mod.2015.0035
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“A Sort of Metaphor”: Dynamic Figurative Language in Nietzsche, Pound, and H. D.

Chet Lisiecki
pp. 255-277
DOI: https://doi.org/10.1353/mod.2015.0038
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Bottles, Bubbles, and Blood: Jean Toomer and the Limits of Racial Epidermalism

Catherine Keyser
pp. 279-302
DOI: https://doi.org/10.1353/mod.2015.0041
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What Women Want: The Modernist Kimono

Beci Carver
pp. 303-314
DOI: https://doi.org/10.1353/mod.2015.0044
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What Were the “Objectivist” Poets?

Jeffrey Twitchell-Waas
pp. 315-341
DOI: https://doi.org/10.1353/mod.2015.0047
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Modernism, Idiocy, and the Work of Culture: J. M. Coetzee’s Life & Times of Michael K

John Bolin
pp. 343-364
DOI: https://doi.org/10.1353/mod.2015.0029
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Modernism Post-postmodernism: Art in the Era of Light Modernity

Luke Smythe
pp. 365-379
DOI: https://doi.org/10.1353/mod.2015.0033
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T. S. Eliot: From Undergraduate to Literary Lion

Timothy Materer
pp. 381-387
DOI: https://doi.org/10.1353/mod.2015.0037
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Virginia Woolf: Prophet of “Pure Loss”

Jane Goldman
pp. 389-395
DOI: https://doi.org/10.1353/mod.2015.0040
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Happiness in Voice Land: Walter Benjamin’s Radio Broadcasts

Mena Mitrano
pp. 397-401
DOI: https://doi.org/10.1353/mod.2015.0043
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The Barbara Johnson Reader: The Surprise of Otherness ed. by Melissa Feuerstein, Bill Johnson González, Lili Porten, and Keja Valens (review)

Judith Brown
pp. 403-405
DOI: https://doi.org/10.1353/mod.2015.0046
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Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination by Suzanne Keen (review)

Anne Stiles
pp. 405-407
DOI: https://doi.org/10.1353/mod.2015.0028
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Literary Cartographies: Spatiality, Representation, and Narrative ed. by Robert T. Tally Jr. (review)

Lauren Elkin
pp. 407-408
DOI: https://doi.org/10.1353/mod.2015.0032
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Arun Kolatkar and Literary Modernism in India: Moving Lines by Laetitia Zecchini (review)

Graziano Krätli
pp. 408-411
DOI: https://doi.org/10.1353/mod.2015.0036
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The Making of Samuel Beckett’s “L’Innommable”/“The Unnamable” by Dirk Van Hulle and Shane Weller (review)

Sam Slote
pp. 411-412
DOI: https://doi.org/10.1353/mod.2015.0039
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Modern Manuscripts: The Extended Mind and Creative Undoing from Darwin to Beckett and Beyond by Dirk Van Hulle (review)

Finn Fordham
pp. 412-415
DOI: https://doi.org/10.1353/mod.2015.0042
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The Cambridge Companion to Irish Modernism ed. by Joe Cleary (review)

Alison Lacivita
pp. 417-418
DOI: https://doi.org/10.1353/mod.2015.0048
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Katherine Mansfield and World War One ed. by Gerri Kimber, Todd Martin, Delia da Sousa Correa, Isobel Maddison etal. (review)

Philip Keel Geheber
pp. 419-420
DOI: https://doi.org/10.1353/mod.2015.0030
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Recent Books of Interest

pp. 421-423
DOI: https://doi.org/10.1353/mod.2015.0034
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Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955 by Lise Jaillant (review)

Emma West
pp. 415-416
DOI: https://doi.org/10.1353/mod.2015.0045
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