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In this Issue

Table of Contents

  1. Oddities in Gissing’s The Odd Women
  2. Lawrence Rainey
  3. pp. 227-236
  4. DOI: https://doi.org/10.1353/mod.2015.0031
  5. restricted access
  1. Interpretation and Reality: Anthropological Hauntings in The Waste Land
  2. Sheela Banerjee
  3. pp. 237-254
  4. DOI: https://doi.org/10.1353/mod.2015.0035
  5. restricted access
  1. “A Sort of Metaphor”: Dynamic Figurative Language in Nietzsche, Pound, and H. D.
  2. Chet Lisiecki
  3. pp. 255-277
  4. DOI: https://doi.org/10.1353/mod.2015.0038
  5. restricted access
  1. Bottles, Bubbles, and Blood: Jean Toomer and the Limits of Racial Epidermalism
  2. Catherine Keyser
  3. pp. 279-302
  4. DOI: https://doi.org/10.1353/mod.2015.0041
  5. restricted access
  1. What Women Want: The Modernist Kimono
  2. Beci Carver
  3. pp. 303-314
  4. DOI: https://doi.org/10.1353/mod.2015.0044
  5. restricted access
  1. What Were the “Objectivist” Poets?
  2. Jeffrey Twitchell-Waas
  3. pp. 315-341
  4. DOI: https://doi.org/10.1353/mod.2015.0047
  5. restricted access
  1. Modernism, Idiocy, and the Work of Culture: J. M. Coetzee’s Life & Times of Michael K
  2. John Bolin
  3. pp. 343-364
  4. DOI: https://doi.org/10.1353/mod.2015.0029
  5. restricted access
  1. Modernism Post-postmodernism: Art in the Era of Light Modernity
  2. Luke Smythe
  3. pp. 365-379
  4. DOI: https://doi.org/10.1353/mod.2015.0033
  5. restricted access
  1. T. S. Eliot: From Undergraduate to Literary Lion
  2. Timothy Materer
  3. pp. 381-387
  4. DOI: https://doi.org/10.1353/mod.2015.0037
  5. restricted access
  1. Virginia Woolf: Prophet of “Pure Loss”
  2. Jane Goldman
  3. pp. 389-395
  4. DOI: https://doi.org/10.1353/mod.2015.0040
  5. restricted access
  1. Happiness in Voice Land: Walter Benjamin’s Radio Broadcasts
  2. Mena Mitrano
  3. pp. 397-401
  4. DOI: https://doi.org/10.1353/mod.2015.0043
  5. restricted access
  1. The Barbara Johnson Reader: The Surprise of Otherness ed. by Melissa Feuerstein, Bill Johnson González, Lili Porten, and Keja Valens (review)
  2. Judith Brown
  3. pp. 403-405
  4. DOI: https://doi.org/10.1353/mod.2015.0046
  5. restricted access
  1. Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination by Suzanne Keen (review)
  2. Anne Stiles
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/mod.2015.0028
  5. restricted access
  1. Literary Cartographies: Spatiality, Representation, and Narrative ed. by Robert T. Tally Jr. (review)
  2. Lauren Elkin
  3. pp. 407-408
  4. DOI: https://doi.org/10.1353/mod.2015.0032
  5. restricted access
  1. Arun Kolatkar and Literary Modernism in India: Moving Lines by Laetitia Zecchini (review)
  2. Graziano Krätli
  3. pp. 408-411
  4. DOI: https://doi.org/10.1353/mod.2015.0036
  5. restricted access
  1. The Making of Samuel Beckett’s “L’Innommable”/“The Unnamable” by Dirk Van Hulle and Shane Weller (review)
  2. Sam Slote
  3. pp. 411-412
  4. DOI: https://doi.org/10.1353/mod.2015.0039
  5. restricted access
  1. Modern Manuscripts: The Extended Mind and Creative Undoing from Darwin to Beckett and Beyond by Dirk Van Hulle (review)
  2. Finn Fordham
  3. pp. 412-415
  4. DOI: https://doi.org/10.1353/mod.2015.0042
  5. restricted access
  1. The Cambridge Companion to Irish Modernism ed. by Joe Cleary (review)
  2. Alison Lacivita
  3. pp. 417-418
  4. DOI: https://doi.org/10.1353/mod.2015.0048
  5. restricted access
  1. Katherine Mansfield and World War One ed. by Gerri Kimber, Todd Martin, Delia da Sousa Correa, Isobel Maddison etal. (review)
  2. Philip Keel Geheber
  3. pp. 419-420
  4. DOI: https://doi.org/10.1353/mod.2015.0030
  5. restricted access
  1. Recent Books of Interest
  3. pp. 421-423
  4. DOI: https://doi.org/10.1353/mod.2015.0034
  5. restricted access
  1. Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955 by Lise Jaillant (review)
  2. Emma West
  3. pp. 415-416
  4. DOI: https://doi.org/10.1353/mod.2015.0045
  5. restricted access