1. Thomas Rowlandson’s Vauxhall Gardens: The Lives of a Print
  2. Temma Berg
  3. pp. 1-32
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  1. The Embarrassments of Restoration Panegyric: Reconsidering an Unfashionable Genre
  2. Noelle Dückmann Gallagher
  3. pp. 33-54
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  1. One Step Forward, Two Steps Back
  2. Jacob Sider Jost
  3. pp. 55-58
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  1. Digital Humanities and the History of Literary Studies
  2. Michael Gavin
  3. pp. 59-64
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  1. The Epistolary Canon of the “Man of Mercury”
  2. Ashley Marshall
  3. pp. 65-75
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  1. The Sublime Redivivus
  2. Jonathan Lamb
  3. pp. 76-79
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  1. How Did We Miss This?: A New Take on the Enlightenment in Practice
  2. Ronald Schechter
  3. pp. 80-82
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  1. One Popular Playwright, One Private Man
  2. Linda Bree
  3. pp. 83-86
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  1. Radical Moderates
  2. Ross Carroll
  3. pp. 87-91
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  1. Chardin: “Sage Rival of Nature”
  2. Catherine Levesque
  3. pp. 92-96
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  1. The World According to an Eighteenth-Century Barber
  2. James Grehan
  3. pp. 97-100
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  1. Boss: The First of Hanoverian Scotland’s Three Great Satraps—the Earl of Ilay
  2. Bruce P. Lenman
  3. pp. 101-108
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  1. Old New Media: Print, Paint, and the Early Eighteenth-Century Media Revolution
  2. Rachael Scarborough King
  3. pp. 109-113
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  1. Georgian Britain: Modernity and the Middle Classes
  2. Paul Stock
  3. pp. 114-117
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  1. The Ehrenpreis Dilemma and the Lives of Swift
  2. Daniel Cook
  3. pp. 118-122
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  1. Johnson’s Play Box
  2. James Horowitz
  3. pp. 123-132
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